Michael pollan how to change your mind
Michael pollan how to change your mind
Michael pollan how to change your mind
ALSO BY Michael Pollan
In Defense of Food
The Omnivore’s Dilemma
The Botany of Desire
A Place of My Own
An imprint of Penguin Random House LLC
375 Hudson Street
New York, New York 10014
Copyright © 2018 by Michael Pollan
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
Image here and here from “Homological scaffolds of brain functional networks,” by G. Petri, P. Expert, F. Turkheimer, R. Carhart-Harris, D. Nutt, P. J. Hellyer, and F. Vaccarino, Journal of the Royal Society Interface, 2014.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Names: Pollan, Michael, 1955– author.
Title: How to change your mind : what the new science of psychedelics teaches us about consciousness, dying, addiction, depression, and transcendence / Michael Pollan.
Description: New York : Penguin Press, 2018.
Identifiers: LCCN 2018006190 (print) | LCCN 2018010396 (ebook) | ISBN 9780525558941 (ebook) | ISBN 9781594204227 (hardback)
Subjects: LCSH: Pollan, Michael, 1955—Mental health. | Hallucinogenic drugs—Therapeutic use. | Psychotherapy patients—Biography. | BISAC: BIOGRAPHY & AUTOBIOGRAPHY / Science & Technology. | MEDICAL / Mental Health.
LC record available at https://lccn.loc.gov/2018006190
NOTE: This book relates the author’s investigative reporting on, and related self-experimentation with, psilocybin mushrooms, the drug lysergic acid diethylamide (or, as it is more commonly known, LSD), and the drug 5-methoxy-N,N-dimethyltryptamine (more commonly known as 5-MeO-DMT or The Toad). It is a criminal offense in the United States and in many other countries, punishable by imprisonment and/or fines, to manufacture, possess, or supply LSD, psilocybin mushrooms, and/or the drug 5-MeO-DMT, except in connection with government-sanctioned research. You should therefore understand that this book is intended to convey the author’s experiences and to provide an understanding of the background and current state of research into these substances. It is not intended to encourage you to break the law and no attempt should be made to use these substances for any purpose except in a legally sanctioned clinical trial. The author and the publisher expressly disclaim any liability, loss, or risk, personal or otherwise, that is incurred as a consequence, directly or indirectly, of the contents of this book.
Certain names and locations have been changed in order to protect the author and others.
The soul should always stand ajar.
Also by Michael Pollan
Prologue: A New Door
Natural History: Bemushroomed
History: The First Wave
Part I: The Promise
Part II: The Crack-Up
Travelogue: Journeying Underground
Trip Two: Psilocybin
Trip Three: 5-MeO-DMT (or, The Toad)
The Neuroscience: Your Brain on Psychedelics
The Trip Treatment: Psychedelics in Psychotherapy
Coda: Going to Meet My Default Mode Network
Epilogue: In Praise of Neural Diversity
About the Author
MIDWAY THROUGH the twentieth century, two unusual new molecules, organic compounds with a striking family resemblance, exploded upon the West. In time, they would change the course of social, political, and cultural history, as well as the personal histories of the millions of people who would eventually introduce them to their brains. As it happened, the arrival of these disruptive chemistries coincided with another world historical explosion—that of the atomic bomb. There were people who compared the two events and made much of the cosmic synchronicity. Extraordinary new energies had been loosed upon the world; things would never be quite the same.
The first of these molecules was an accidental invention of science. Lysergic acid diethylamide, commonly known as LSD, was first synthesized by Albert Hofmann in 1938, shortly before physicists split an atom of uranium for the first time. Hofmann, who worked for the Swiss pharmaceutical firm Sandoz, had been looking for a drug to stimulate circulation, not a psychoactive compound. It wasn’t until five years later when he accidentally ingested a minuscule quantity of the new chemical that he realized he had created something powerful, at once terrifying and wondrous.
The second molecule had been around for thousands of years, though no one in the developed world was aware of it. Produced not by a chemist but by an inconspicuous little brown mushroom, this molecule, which would come to be known as psilocybin, had been used by the indigenous peoples of Mexico and Central America for hundreds of years as a sacrament. Called teonanácatl by the Aztecs, or “flesh of the gods,” the mushroom was brutally suppressed by the Roman Catholic Church after the Spanish conquest and driven underground. In 1955, twelve years after Albert Hofmann’s discovery of LSD, a Manhattan banker and amateur mycologist named R. Gordon Wasson sampled the magic mushroom in the town of Huautla de Jiménez in the southern Mexican state of Oaxaca. Two years later, he published a fifteen-page account of the “mushrooms that cause strange visions” in Life magazine, marking the moment when news of a new form of consciousness first reached the general public. (In 1957, knowledge of LSD was mostly confined to the community of researchers and mental health professionals.) People would not realize the magnitude of what had happened for several more years, but history in the West had shifted.
The impact of these two molecules is hard to overestimate. The advent of LSD can be linked to the revolution in brain science that begins in the 1950s, when scientists discovered the role of neurotransmitters in the brain. That quantities of LSD measured in micrograms could produce symptoms resembling psychosis inspired brain scientists to search for the neurochemical basis of mental disorders previously believed to be psychological in origin. At the same time, psychedelics found their way into psychotherapy, where they were used to treat a variety of disorders, including alcoholism, anxiety, and depression. For most of the 1950s and early 1960s, many in the psychiatric establishment regarded LSD and psilocybin as miracle drugs.
The arrival of these two compounds is also linked to the rise of the counterculture during the 1960s and, perhaps especially, to its particular tone and style. For the first time in history, th
e young had a rite of passage all their own: the “acid trip.” Instead of folding the young into the adult world, as rites of passage have always done, this one landed them in a country of the mind few adults had any idea even existed. The effect on society was, to put it mildly, disruptive.
Yet by the end of the 1960s, the social and political shock waves unleashed by these molecules seemed to dissipate. The dark side of psychedelics began to receive tremendous amounts of publicity—bad trips, psychotic breaks, flashbacks, suicides—and beginning in 1965 the exuberance surrounding these new drugs gave way to moral panic. As quickly as the culture and the scientific establishment had embraced psychedelics, they now turned sharply against them. By the end of the decade, psychedelic drugs—which had been legal in most places—were outlawed and forced underground. At least one of the twentieth century’s two bombs appeared to have been defused.
Then something unexpected and telling happened. Beginning in the 1990s, well out of view of most of us, a small group of scientists, psychotherapists, and so-called psychonauts, believing that something precious had been lost from both science and culture, resolved to recover it.
Today, after several decades of suppression and neglect, psychedelics are having a renaissance. A new generation of scientists, many of them inspired by their own personal experience of the compounds, are testing their potential to heal mental illnesses such as depression, anxiety, trauma, and addiction. Other scientists are using psychedelics in conjunction with new brain-imaging tools to explore the links between brain and mind, hoping to unravel some of the mysteries of consciousness.
One good way to understand a complex system is to disturb it and then see what happens. By smashing atoms, a particle accelerator forces them to yield their secrets. By administering psychedelics in carefully calibrated doses, neuroscientists can profoundly disturb the normal waking consciousness of volunteers, dissolving the structures of the self and occasioning what can be described as a mystical experience. While this is happening, imaging tools can observe the changes in the brain’s activity and patterns of connection. Already this work is yielding surprising insights into the “neural correlates” of the sense of self and spiritual experience. The hoary 1960s platitude that psychedelics offered a key to understanding—and “expanding”—consciousness no longer looks quite so preposterous.
How to Change Your Mind is the story of this renaissance. Although it didn’t start out that way, it is a very personal as well as public history. Perhaps this was inevitable. Everything I was learning about the third-person history of psychedelic research made me want to explore this novel landscape of the mind in the first person too—to see how the changes in consciousness these molecules wrought actually feel and what, if anything, they had to teach me about my mind and might contribute to my life.
THIS WAS, FOR ME, a completely unexpected turn of events. The history of psychedelics I’ve summarized here is not a history I lived. I was born in 1955, halfway through the decade that psychedelics first burst onto the American scene, but it wasn’t until the prospect of turning sixty had drifted into view that I seriously considered trying LSD for the first time. Coming from a baby boomer, that might sound improbable, a dereliction of generational duty. But I was only twelve years old in 1967, too young to have been more than dimly aware of the Summer of Love or the San Francisco Acid Tests. At fourteen, the only way I was going to get to Woodstock was if my parents drove me. Much of the 1960s I experienced through the pages of Time magazine. By the time the idea of trying or not trying LSD swam into my conscious awareness, it had already completed its speedy media arc from psychiatric wonder drug to counterculture sacrament to destroyer of young minds.
I must have been in junior high school when a scientist reported (mistakenly, as it turned out) that LSD scrambled your chromosomes; the entire media, as well as my health-ed teacher, made sure we heard all about it. A couple of years later, the television personality Art Linkletter began campaigning against LSD, which he blamed for the fact his daughter had jumped out of an apartment window, killing herself. LSD supposedly had something to do with the Manson murders too. By the early 1970s, when I went to college, everything you heard about LSD seemed calculated to terrify. It worked on me: I’m less a child of the psychedelic 1960s than of the moral panic that psychedelics provoked.
I also had my own personal reason for steering clear of psychedelics: a painfully anxious adolescence that left me (and at least one psychiatrist) doubting my grip on sanity. By the time I got to college, I was feeling sturdier, but the idea of rolling the mental dice with a psychedelic drug still seemed like a bad idea.
Years later, in my late twenties and feeling more settled, I did try magic mushrooms two or three times. A friend had given me a Mason jar full of dried, gnarly Psilocybes, and on a couple of memorable occasions my partner (now wife), Judith, and I choked down two or three of them, endured a brief wave of nausea, and then sailed off on four or five interesting hours in the company of each other and what felt like a wonderfully italicized version of the familiar reality.
Psychedelic aficionados would probably categorize what we had as a low-dose “aesthetic experience,” rather than a full-blown ego-disintegrating trip. We certainly didn’t take leave of the known universe or have what anyone would call a mystical experience. But it was really interesting. What I particularly remember was the preternatural vividness of the greens in the woods, and in particular the velvety chartreuse softness of the ferns. I was gripped by a powerful compulsion to be outdoors, undressed, and as far from anything made of metal or plastic as it was possible to get. Because we were alone in the country, this was all doable. I don’t recall much about a follow-up trip on a Saturday in Riverside Park in Manhattan except that it was considerably less enjoyable and unselfconscious, with too much time spent wondering if other people could tell that we were high.
I didn’t know it at the time, but the difference between these two experiences of the same drug demonstrated something important, and special, about psychedelics: the critical influence of “set” and “setting.” Set is the mind-set or expectation one brings to the experience, and setting is the environment in which it takes place. Compared with other drugs, psychedelics seldom affect people the same way twice, because they tend to magnify whatever’s already going on both inside and outside one’s head.
After those two brief trips, the mushroom jar lived in the back of our pantry for years, untouched. The thought of giving over a whole day to a psychedelic experience had come to seem inconceivable. We were working long hours at new careers, and those vast swaths of unallocated time that college (or unemployment) affords had become a memory. Now another, very different kind of drug was available, one that was considerably easier to weave into the fabric of a Manhattan career: cocaine. The snowy-white powder made the wrinkled brown mushrooms seem dowdy, unpredictable, and overly demanding. Cleaning out the kitchen cabinets one weekend, we stumbled upon the forgotten jar and tossed it in the trash, along with the exhausted spices and expired packages of food.
Fast-forward three decades, and I really wish I hadn’t done that. I’d give a lot to have a whole jar of magic mushrooms now. I’ve begun to wonder if perhaps these remarkable molecules might be wasted on the young, that they may have more to offer us later in life, after the cement of our mental habits and everyday behaviors has set. Carl Jung once wrote that it is not the young but people in middle age who need to have an “experience of the numinous” to help them negotiate the second half of their lives.
By the time I arrived safely in my fifties, life seemed to be running along a few deep but comfortable grooves: a long and happy marriage alongside an equally long and gratifying career. As we do, I had developed a set of fairly dependable mental algorithms for navigating whatever life threw at me, whether at home or at work. What was missing from my life? Nothing I could think of—until, that is, word of the
new research into psychedelics began to find its way to me, making me wonder if perhaps I had failed to recognize the potential of these molecules as a tool for both understanding the mind and, potentially, changing it.
HERE ARE THE THREE DATA POINTS that persuaded me this was the case.
In the spring of 2010, a front-page story appeared in the New York Times headlined “Hallucinogens Have Doctors Tuning In Again.” It reported that researchers had been giving large doses of psilocybin—the active compound in magic mushrooms—to terminal cancer patients as a way to help them deal with their “existential distress” at the approach of death.
These experiments, which were taking place simultaneously at Johns Hopkins, UCLA, and New York University, seemed not just improbable but crazy. Faced with a terminal diagnosis, the very last thing I would want to do is take a psychedelic drug—that is, surrender control of my mind and then in that psychologically vulnerable state stare straight into the abyss. But many of the volunteers reported that over the course of a single guided psychedelic “journey” they reconceived how they viewed their cancer and the prospect of dying. Several of them said they had lost their fear of death completely. The reasons offered for this transformation were intriguing but also somewhat elusive. “Individuals transcend their primary identification with their bodies and experience ego-free states,” one of the researchers was quoted as saying. They “return with a new perspective and profound acceptance.”
I filed that story away, until a year or two later, when Judith and I found ourselves at a dinner party at a big house in the Berkeley Hills, seated at a long table with a dozen or so people, when a woman at the far end of the table began talking about her acid trips. She looked to be about my age and, I learned, was a prominent psychologist. I was engrossed in a different conversation at the time, but as soon as the phonemes L-S-D drifted down to my end of the table, I couldn’t help but cup my ear (literally) and try to tune in.
Michael Pollan Drops Acid — and Comes Back From His Trip Convinced
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Michael Pollan has long been concerned with the moral dilemmas of everyday life. “Second Nature,” his first book, was ostensibly about gardening, but really about ways to overcome our alienation from the natural world. “A Place of My Own,” his second, chronicled the “radically unhandy” Pollan’s construction of his writing studio. “The Botany of Desire,” his third and possibly greatest book, put him back in the garden, though in a more global state of mind. He then went on to write four searching books that wrestled, in one way or another, with the ethics of eating, one of which contained Pollan’s now widely shared haiku: “Eat food. Not too much. Mostly plants.”
Unlike many best-selling nonfiction writers, Pollan doesn’t write self-help books that cross-dress as narrative nonfiction. He’s entirely too skeptical for that. At the same time, though, he’s an often relentlessly sunny, affirmative writer. “In Defense of Food,” Pollan’s most polemical book, despairs of American eating habits, yet concludes with the dainty recommendation to eat local as often as possible. Pollan’s literary persona has a rare, almost Thoreauvian affect: the lovable scold.
With “How to Change Your Mind,” Pollan remains concerned with what we put into our bodies, but we’re not talking about arugula. At various points, our author ingests LSD, psilocybin and the crystallized venom of a Sonoran Desert toad. He writes, often remarkably, about what he experienced under the influence of these drugs. (The book comes fronted with a publisher’s disclaimer that nothing contained within is “intended to encourage you to break the law.” Whatever, Dad.) Before starting the book, Pollan, now in his early 60s, had never tried psychedelics, referring to himself as “less a child of the psychedelic 1960s than of the moral panic that psychedelics provoked.” But when he discovered that clinical interest had been revived in what some boosters are now calling entheogens (from the Greek for “the divine within”), he had to know: How did this happen, and what do these remarkable substances actually do to us?
Well, why does anyone take drugs? The simplest answer is that drugs are generally fun to take, until they aren’t. But psychedelics are different. They don’t drape you in marijuana’s gauzy haze or imbue you with cocaine’s wintry, italicized focus. They’re nothing like opioids, which balance the human body on a knife’s edge between pleasure and death. Psychedelics are to drugs what the Pyramids are to architecture — majestic, ancient and a little frightening. Pollan persuasively argues that our anxieties are misplaced when it comes to psychedelics, most of which are nonaddictive. They also fail to produce what Pollan calls the “physiological noise” of other psychoactive drugs. All things considered, LSD is probably less harmful to the human body than Diet Dr Pepper.
Disclaimer aside, nothing in Pollan’s book argues for the recreational use or abuse of psychedelic drugs. What it does argue is that psychedelic-aided therapy, properly conducted by trained professionals — what Pollan calls White-Coat Shamanism — can be personally transformative, helping with everything from overcoming addiction to easing the existential terror of the terminally ill. The strange thing is we’ve been here with psychedelics before.
LSD was first synthesized (from a grain fungus) in 1938, by a chemist working for the Swiss pharmaceutical firm Sandoz. A few years later, not having any idea what he’d created, the chemist accidentally dosed himself and went on to have a notably interesting afternoon. With LSD, Sandoz knew it had something on its hands, but wasn’t sure what. Its management decided to send out free samples to researchers on request, which went on for more than a decade. By the 1950s, scientists studying LSD had discovered serotonin, figured out that the human brain was full of something called neurotransmitters and begun inching toward the development of the first antidepressants. LSD showed such promise in treating alcoholism that the A.A. founder Bill Wilson considered including LSD treatment in his program. So-called magic mushrooms — and the mind-altering psilocybin they contain — arrived a bit later to the scene, having been reintroduced to the Western world thanks to a 1957 Life magazine article, but they proved just as rich in therapeutic possibilities.
All this ended thanks to the antics of Timothy Leary and other self-styled prophets of acid. By 1970, LSD had been outlawed and declared a Schedule 1 substance. Countercultural vanguards didn’t stop taking LSD, and “bad trip” entered the English lexicon. Psychedelics, it was concluded, sundered rather than opened minds, and any research that suggested otherwise was buried. Pollan describes several addiction scientists in the 1990s and early 2000s rediscovering early psychedelic studies and realizing the field to which they’d devoted their professional lives had a fascinating secret history. Before long, these taboo substances once again seemed less a malign narcotic than a potentially powerful medication.
As is to be expected of a nonfiction writer of his caliber, Pollan makes the story of the rise and fall and rise of psychedelic drug research gripping and surprising. He also reminds readers that excitement around any purportedly groundbreaking substance tends to dim as studies widen. In the early 1980s, for instance, SSRI antidepressants were hailed as the answer to human melancholy; these days, most perform only slightly better than a placebo.
Michael pollan how to change your mind
ALSO BY Michael Pollan
In Defense of Food
The Omnivore’s Dilemma
The Botany of Desire
A Place of My Own
An imprint of Penguin Random House LLC
375 Hudson Street
New York, New York 10014
Copyright © 2018 by Michael Pollan
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
Image here and here from “Homological scaffolds of brain functional networks,” by G. Petri, P. Expert, F. Turkheimer, R. Carhart-Harris, D. Nutt, P. J. Hellyer, and F. Vaccarino, Journal of the Royal Society Interface, 2014.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Names: Pollan, Michael, 1955– author.
Title: How to change your mind : what the new science of psychedelics teaches us about consciousness, dying, addiction, depression, and transcendence / Michael Pollan.
Description: New York : Penguin Press, 2018.
Identifiers: LCCN 2018006190 (print) | LCCN 2018010396 (ebook) | ISBN 9780525558941 (ebook) | ISBN 9781594204227 (hardback)
Subjects: LCSH: Pollan, Michael, 1955—Mental health. | Hallucinogenic drugs—Therapeutic use. | Psychotherapy patients—Biography. | BISAC: BIOGRAPHY & AUTOBIOGRAPHY / Science & Technology. | MEDICAL / Mental Health.
LC record available at https://lccn.loc.gov/2018006190
NOTE: This book relates the author’s investigative reporting on, and related self-experimentation with, psilocybin mushrooms, the drug lysergic acid diethylamide (or, as it is more commonly known, LSD), and the drug 5-methoxy-N,N-dimethyltryptamine (more commonly known as 5-MeO-DMT or The Toad). It is a criminal offense in the United States and in many other countries, punishable by imprisonment and/or fines, to manufacture, possess, or supply LSD, psilocybin mushrooms, and/or the drug 5-MeO-DMT, except in connection with government-sanctioned research. You should therefore understand that this book is intended to convey the author’s experiences and to provide an understanding of the background and current state of research into these substances. It is not intended to encourage you to break the law and no attempt should be made to use these substances for any purpose except in a legally sanctioned clinical trial. The author and the publisher expressly disclaim any liability, loss, or risk, personal or otherwise, that is incurred as a consequence, directly or indirectly, of the contents of this book.
Certain names and locations have been changed in order to protect the author and others.
The soul should always stand ajar.
Also by Michael Pollan
Prologue: A New Door
Natural History: Bemushroomed
History: The First Wave
Part I: The Promise
Part II: The Crack-Up
Travelogue: Journeying Underground
Trip Two: Psilocybin
Trip Three: 5-MeO-DMT (or, The Toad)
The Neuroscience: Your Brain on Psychedelics
The Trip Treatment: Psychedelics in Psychotherapy
Coda: Going to Meet My Default Mode Network
Epilogue: In Praise of Neural Diversity
About the Author
MIDWAY THROUGH the twentieth century, two unusual new molecules, organic compounds with a striking family resemblance, exploded upon the West. In time, they would change the course of social, political, and cultural history, as well as the personal histories of the millions of people who would eventually introduce them to their brains. As it happened, the arrival of these disruptive chemistries coincided with another world historical explosion—that of the atomic bomb. There were people who compared the two events and made much of the cosmic synchronicity. Extraordinary new energies had been loosed upon the world; things would never be quite the same.
The first of these molecules was an accidental invention of science. Lysergic acid diethylamide, commonly known as LSD, was first synthesized by Albert Hofmann in 1938, shortly before physicists split an atom of uranium for the first time. Hofmann, who worked for the Swiss pharmaceutical firm Sandoz, had been looking for a drug to stimulate circulation, not a psychoactive compound. It wasn’t until five years later when he accidentally ingested a minuscule quantity of the new chemical that he realized he had created something powerful, at once terrifying and wondrous.
The second molecule had been around for thousands of years, though no one in the developed world was aware of it. Produced not by a chemist but by an inconspicuous little brown mushroom, this molecule, which would come to be known as psilocybin, had been used by the indigenous peoples of Mexico and Central America for hundreds of years as a sacrament. Called teonanácatl by the Aztecs, or “flesh of the gods,” the mushroom was brutally suppressed by the Roman Catholic Church after the Spanish conquest and driven underground. In 1955, twelve years after Albert Hofmann’s discovery of LSD, a Manhattan banker and amateur mycologist named R. Gordon Wasson sampled the magic mushroom in the town of Huautla de Jiménez in the southern Mexican state of Oaxaca. Two years later, he published a fifteen-page account of the “mushrooms that cause strange visions” in Life magazine, marking the moment when news of a new form of consciousness first reached the general public. (In 1957, knowledge of LSD was mostly confined to the community of researchers and mental health professionals.) People would not realize the magnitude of what had happened for several more years, but history in the West had shifted.
The impact of these two molecules is hard to overestimate. The advent of LSD can be linked to the revolution in brain science that begins in the 1950s, when scientists discovered the role of neurotransmitters in the brain. That quantities of LSD measured in micrograms could produce symptoms resembling psychosis inspired brain scientists to search for the neurochemical basis of mental disorders previously believed to be psychological in origin. At the same time, psychedelics found their way into psychotherapy, where they were used to treat a variety of disorders, including alcoholism, anxiety, and depression. For most of the 1950s and early 1960s, many in the psychiatric establishment regarded LSD and psilocybin as miracle drugs.
The arrival of these two compounds is also linked to the rise of the counterculture during the 1960s and, perhaps especially, to its particular tone and style. For the first time in history,
the young had a rite of passage all their own: the “acid trip.” Instead of folding the young into the adult world, as rites of passage have always done, this one landed them in a country of the mind few adults had any idea even existed. The effect on society was, to put it mildly, disruptive.
Yet by the end of the 1960s, the social and political shock waves unleashed by these molecules seemed to dissipate. The dark side of psychedelics began to receive tremendous amounts of publicity—bad trips, psychotic breaks, flashbacks, suicides—and beginning in 1965 the exuberance surrounding these new drugs gave way to moral panic. As quickly as the culture and the scientific establishment had embraced psychedelics, they now turned sharply against them. By the end of the decade, psychedelic drugs—which had been legal in most places—were outlawed and forced underground. At least one of the twentieth century’s two bombs appeared to have been defused.
Then something unexpected and telling happened. Beginning in the 1990s, well out of view of most of us, a small group of scientists, psychotherapists, and so-called psychonauts, believing that something precious had been lost from both science and culture, resolved to recover it.
Today, after several decades of suppression and neglect, psychedelics are having a renaissance. A new generation of scientists, many of them inspired by their own personal experience of the compounds, are testing their potential to heal mental illnesses such as depression, anxiety, trauma, and addiction. Other scientists are using psychedelics in conjunction with new brain-imaging tools to explore the links between brain and mind, hoping to unravel some of the mysteries of consciousness.
One good way to understand a complex system is to disturb it and then see what happens. By smashing atoms, a particle accelerator forces them to yield their secrets. By administering psychedelics in carefully calibrated doses, neuroscientists can profoundly disturb the normal waking consciousness of volunteers, dissolving the structures of the self and occasioning what can be described as a mystical experience. While this is happening, imaging tools can observe the changes in the brain’s activity and patterns of connection. Already this work is yielding surprising insights into the “neural correlates” of the sense of self and spiritual experience. The hoary 1960s platitude that psychedelics offered a key to understanding—and “expanding”—consciousness no longer looks quite so preposterous.
How to Change Your Mind is the story of this renaissance. Although it didn’t start out that way, it is a very personal as well as public history. Perhaps this was inevitable. Everything I was learning about the third-person history of psychedelic research made me want to explore this novel landscape of the mind in the first person too—to see how the changes in consciousness these molecules wrought actually feel and what, if anything, they had to teach me about my mind and might contribute to my life.
THIS WAS, FOR ME, a completely unexpected turn of events. The history of psychedelics I’ve summarized here is not a history I lived. I was born in 1955, halfway through the decade that psychedelics first burst onto the American scene, but it wasn’t until the prospect of turning sixty had drifted into view that I seriously considered trying LSD for the first time. Coming from a baby boomer, that might sound improbable, a dereliction of generational duty. But I was only twelve years old in 1967, too young to have been more than dimly aware of the Summer of Love or the San Francisco Acid Tests. At fourteen, the only way I was going to get to Woodstock was if my parents drove me. Much of the 1960s I experienced through the pages of Time magazine. By the time the idea of trying or not trying LSD swam into my conscious awareness, it had already completed its speedy media arc from psychiatric wonder drug to counterculture sacrament to destroyer of young minds.
I must have been in junior high school when a scientist reported (mistakenly, as it turned out) that LSD scrambled your chromosomes; the entire media, as well as my health-ed teacher, made sure we heard all about it. A couple of years later, the television personality Art Linkletter began campaigning against LSD, which he blamed for the fact his daughter had jumped out of an apartment window, killing herself. LSD supposedly had something to do with the Manson murders too. By the early 1970s, when I went to college, everything you heard about LSD seemed calculated to terrify. It worked on me: I’m less a child of the psychedelic 1960s than of the moral panic that psychedelics provoked.
I also had my own personal reason for steering clear of psychedelics: a painfully anxious adolescence that left me (and at least one psychiatrist) doubting my grip on sanity. By the time I got to college, I was feeling sturdier, but the idea of rolling the mental dice with a psychedelic drug still seemed like a bad idea.
Years later, in my late twenties and feeling more settled, I did try magic mushrooms two or three times. A friend had given me a Mason jar full of dried, gnarly Psilocybes, and on a couple of memorable occasions my partner (now wife), Judith, and I choked down two or three of them, endured a brief wave of nausea, and then sailed off on four or five interesting hours in the company of each other and what felt like a wonderfully italicized version of the familiar reality.
Psychedelic aficionados would probably categorize what we had as a low-dose “aesthetic experience,” rather than a full-blown ego-disintegrating trip. We certainly didn’t take leave of the known universe or have what anyone would call a mystical experience. But it was really interesting. What I particularly remember was the preternatural vividness of the greens in the woods, and in particular the velvety chartreuse softness of the ferns. I was gripped by a powerful compulsion to be outdoors, undressed, and as far from anything made of metal or plastic as it was possible to get. Because we were alone in the country, this was all doable. I don’t recall much about a follow-up trip on a Saturday in Riverside Park in Manhattan except that it was considerably less enjoyable and unselfconscious, with too much time spent wondering if other people could tell that we were high.
I didn’t know it at the time, but the difference between these two experiences of the same drug demonstrated something important, and special, about psychedelics: the critical influence of “set” and “setting.” Set is the mind-set or expectation one brings to the experience, and setting is the environment in which it takes place. Compared with other drugs, psychedelics seldom affect people the same way twice, because they tend to magnify whatever’s already going on both inside and outside one’s head.
After those two brief trips, the mushroom jar lived in the back of our pantry for years, untouched. The thought of giving over a whole day to a psychedelic experience had come to seem inconceivable. We were working long hours at new careers, and those vast swaths of unallocated time that college (or unemployment) affords had become a memory. Now another, very different kind of drug was available, one that was considerably easier to weave into the fabric of a Manhattan career: cocaine. The snowy-white powder made the wrinkled brown mushrooms seem dowdy, unpredictable, and overly demanding. Cleaning out the kitchen cabinets one weekend, we stumbled upon the forgotten jar and tossed it in the trash, along with the exhausted spices and expired packages of food.
Fast-forward three decades, and I really wish I hadn’t done that. I’d give a lot to have a whole jar of magic mushrooms now. I’ve begun to wonder if perhaps these remarkable molecules might be wasted on the young, that they may have more to offer us later in life, after the cement of our mental habits and everyday behaviors has set. Carl Jung once wrote that it is not the young but people in middle age who need to have an “experience of the numinous” to help them negotiate the second half of their lives.
By the time I arrived safely in my fifties, life seemed to be running along a few deep but comfortable grooves: a long and happy marriage alongside an equally long and gratifying career. As we do, I had developed a set of fairly dependable mental algorithms for navigating whatever life threw at me, whether at home or at work. What was missing from my life? Nothing I could think of—until, that is, word of th
e new research into psychedelics began to find its way to me, making me wonder if perhaps I had failed to recognize the potential of these molecules as a tool for both understanding the mind and, potentially, changing it.
HERE ARE THE THREE DATA POINTS that persuaded me this was the case.
In the spring of 2010, a front-page story appeared in the New York Times headlined “Hallucinogens Have Doctors Tuning In Again.” It reported that researchers had been giving large doses of psilocybin—the active compound in magic mushrooms—to terminal cancer patients as a way to help them deal with their “existential distress” at the approach of death.
These experiments, which were taking place simultaneously at Johns Hopkins, UCLA, and New York University, seemed not just improbable but crazy. Faced with a terminal diagnosis, the very last thing I would want to do is take a psychedelic drug—that is, surrender control of my mind and then in that psychologically vulnerable state stare straight into the abyss. But many of the volunteers reported that over the course of a single guided psychedelic “journey” they reconceived how they viewed their cancer and the prospect of dying. Several of them said they had lost their fear of death completely. The reasons offered for this transformation were intriguing but also somewhat elusive. “Individuals transcend their primary identification with their bodies and experience ego-free states,” one of the researchers was quoted as saying. They “return with a new perspective and profound acceptance.”
I filed that story away, until a year or two later, when Judith and I found ourselves at a dinner party at a big house in the Berkeley Hills, seated at a long table with a dozen or so people, when a woman at the far end of the table began talking about her acid trips. She looked to be about my age and, I learned, was a prominent psychologist. I was engrossed in a different conversation at the time, but as soon as the phonemes L-S-D drifted down to my end of the table, I couldn’t help but cup my ear (literally) and try to tune in.
Michael Pollan: How to Change Your Mind
Midway through the twentieth century, two unusual new molecules, organic compounds with a striking family resemblance, exploded upon the West. In time, they would change the course of social, political, and cultural history, as well as the personal histories of the millions of people who would eventually introduce them to their brains. As it happened, the arrival of these disruptive chemistries coincided with another world historical explosion — that of the atomic bomb. There were people who compared the two events and made much of the cosmic synchronicity. Extraordinary new energies had been loosed upon the world; things would never be quite the same.
The first of these molecules was an accidental invention of science. Lysergic acid diethylamide, commonly known as LSD, was first synthesized by Albert Hofmann in 1938, shortly before physicists split an atom of uranium for the first time. Hofmann, who worked for the Swiss pharmaceutical firm Sandoz, had been looking for a drug to stimulate circulation, not a psychoactive compound. It wasn’t until five years later when he accidentally ingested a minuscule quantity of the new chemical that he realized he had created something powerful, at once terrifying and wondrous.
The second molecule had been around for thousands of years, though no one in the developed world was aware of it. Produced not by a chemist but by an inconspicuous little brown mushroom, this molecule, which would come to be known as psilocybin, had been used by the indigenous peoples of Mexico and Central America for hundreds of years as a sacrament. Called teonanácatl by the Aztecs, or “flesh of the gods,” the mushroom was brutally suppressed by the Roman Catholic Church after the Spanish conquest and driven underground. In 1955, t
welve years after Albert Hofmann’s discovery of LSD, a Manhattan banker and amateur mycologist named R. Gordon Wasson sampled the magic mushroom in the town of Huautla de Jiménez in the southern Mexican state of Oaxaca. Two years later, he published a fifteen-page account of the “mushrooms that cause strange visions” in Life magazine, marking the moment when news of a new form of consciousness first reached the general public. (In 1957, knowledge of LSD was mostly confined to the community of researchers and mental health professionals.) People would not realize the magnitude of what had happened for several more years, but history in the West had shifted.
The impact of these two molecules is hard to overestimate. The advent of LSD can be linked to the revolution in brain science that begins in the 1950s, when scientists discovered the role of neurotransmitters in the brain. That quantities of LSD measured in micrograms could produce symptoms resembling psychosis inspired brain scientists to search for the neurochemical basis of mental disorders previously believed to be psychological in origin. At the same time, psychedelics found their way into psychotherapy, where they were used to treat a variety of disorders, including alcoholism, anxiety, and depression. For most of the 1950s and early 1960s, many in the psychiatric establishment regarded LSD and psilocybin as miracle drugs.
The arrival of these two compounds is also linked to the rise of the counterculture during the 1960s and, perhaps especially, to its particular tone and style. For the first time in history, the young had a rite of passage all their own: the “acid trip.” Instead of folding the young into the adult world, as rites of passage have always done, this one landed them in a country of the mind few adults had any idea even existed. The effect on society was, to put it mildly, disruptive.
Yet by the end of the 1960s, the social and political shock waves unleashed by these molecules seemed to dissipate. The dark side of psychedelics began to receive tremendous amounts of publicity — bad trips, psychotic breaks, flashbacks, suicides — and beginning in 1965 the exuberance surrounding these new drugs gave way to moral panic. As quickly as the culture and the scientific establishment had embraced psychedelics, they now turned sharply against them. By the end of the decade, psychedelic drugs — which had been legal in most places — were outlawed and forced underground. At least one of the twentieth century’s two bombs appeared to have been defused.
Michael Pollan will be speaking about the fascinating research into psychedelics behind How to Change Your Mind at the upcoming Bioneers conference in October 2018. Get your tickets today.
Then something unexpected and telling happened. Beginning in the 1990s, well out of view of most of us, a small group of scientists, psychotherapists, and so-called psychonauts, believing that something precious had been lost from both science and culture, resolved to recover it.
Today, after several decades of suppression and neglect, psychedelics are having a renaissance. A new generation of scientists, many of them inspired by their own personal experience of the compounds, are testing their potential to heal mental illnesses such as depression, anxiety, trauma, and addiction. Other scientists are using psychedelics in conjunction with new brain-imaging tools to explore the links between brain and mind, hoping to unravel some of the mysteries of consciousness.
One good way to understand a complex system is to disturb it and then see what happens. By smashing atoms, a particle accelerator forces them to yield their secrets. By administering psychedelics in carefully calibrated doses, neuroscientists can profoundly disturb the normal waking consciousness of volunteers, dissolving the structures of the self and occasioning what can be described as a mystical experience. While this is happening, imaging tools can observe the changes in the brain’s activity and patterns of connection. Already this work is yielding surprising insights into the “neural correlates” of the sense of self and spiritual experience. The hoary 1960s platitude that psychedelics offered a key to understanding — and “expanding” — consciousness no longer looks quite so preposterous.
How to Change Your Mind is the story of this renaissance. Although it didn’t start out that way, it is a very personal as well as public history. Perhaps this was inevitable. Everything I was learning about the third-person history of psychedelic research made me want to explore this novel landscape of the mind in the first person too — to see how the changes in consciousness these molecules wrought actually feel and what, if anything, they had to teach me about my mind and might contribute to my life.
This was, for me, a completely unexpected turn of events. The history of psychedelics I’ve summarized here is not a history I lived. I was born in 1955, halfway through the decade that psychedelics first burst onto the American scene, but it wasn’t until the prospect of turning sixty had drifted into view that I seriously considered trying LSD for the first time. Coming from a baby boomer, that might sound improbable, a dereliction of generational duty. But I was only twelve years old in 1967, too young to have been more than dimly aware of the Summer of Love or the San Francisco Acid Tests. At fourteen, the only way I was going to get to Woodstock was if my parents drove me. Much of the 1960s I experienced through the pages of Time magazine. By the time the idea of trying or not trying LSD swam into my conscious awareness, it had already completed its speedy media arc from psychiatric wonder drug to counterculture sacrament to destroyer of young minds.
I must have been in junior high school when a scientist reported (mistakenly, as it turned out) that LSD scrambled your chromosomes; the entire media, as well as my health-ed teacher, made sure we heard all about it. A couple of years later, the television personality Art Linkletter began campaigning against LSD, which he blamed for the fact his daughter had jumped out of an apartment window, killing herself. LSD supposedly had something to do with the Manson murders too. By the early 1970s, when I went to college, everything you heard about LSD seemed calculated to terrify. It worked on me: I’m less a child of the psychedelic 1960s than of the moral panic that psychedelics provoked.
I also had my own personal reason for steering clear of psychedelics: a painfully anxious adolescence that left me (and at least one psychiatrist) doubting my grip on sanity. By the time I got to college, I was feeling sturdier, but the idea of rolling the mental dice with a psychedelic drug still seemed like a bad idea.
Years later, in my late twenties and feeling more settled, I did try magic mushrooms two or three times. A friend had given me a Mason jar full of dried, gnarly Psilocybes, and on a couple of memorable occasions my partner (now wife), Judith, and I choked down two or three of them, endured a brief wave of nausea, and then sailed off on four or five interesting hours in the company of each other and what felt like a wonderfully italicized version of the familiar reality.
Psychedelic aficionados would probably categorize what we had as a low-dose “aesthetic experience,” rather than a full-blown ego-disintegrating trip. We certainly didn’t take leave of the known universe or have what anyone would call a mystical experience. But it was really interesting. What I particularly remember was the preternatural vividness of the greens in the woods, and in particular the velvety chartreuse softness of the ferns. I was gripped by a powerful compulsion to be outdoors, undressed, and as far from anything made of metal or plastic as it was possible to get. Because we were alone in the country, this was all doable. I don’t recall much about a follow-up trip on a Saturday in Riverside Park in Manhattan except that it was considerably less enjoyable and unselfconscious, with too much time spent wondering if other people could tell that we were high.
I didn’t know it at the time, but the difference between these two experiences of the same drug demonstrated something important, and special, about psychedelics: the critical influence of “set” and “setting.” Set is the mind-set or expectation one brings to the experience, and setting is the environment in which it takes place. Compared with other drugs, psychedelics seldom affect people the same way twice, because they tend to magnify whatever’s already going on both inside and outside one’s head.
After those two brief trips, the mushroom jar lived in the back of our pantry for years, untouched. The thought of giving over a whole day to a psychedelic experience had come to seem inconceivable. We were working long hours at new careers, and those vast swaths of unallocated time that college (or unemployment) affords had become a memory. Now another, very different kind of drug was available, one that was considerably easier to weave into the fabric of a Manhattan career: cocaine. The snowy-white powder made the wrinkled brown mushrooms seem dowdy, unpredictable, and overly demanding. Cleaning out the kitchen cabinets one weekend, we stumbled upon the forgotten jar and tossed it in the trash, along with the exhausted spices and expired packages of food.
Fast-forward three decades, and I really wish I hadn’t done that. I’d give a lot to have a whole jar of magic mushrooms now. I’ve begun to wonder if perhaps these remarkable molecules might be wasted on the young, that they may have more to offer us later in life, after the cement of our mental habits and everyday behaviors has set. Carl Jung once wrote that it is not the young but people in middle age who need to have an “experience of the numinous” to help them negotiate the second half of their lives.
By the time I arrived safely in my fifties, life seemed to be running along a few deep but comfortable grooves: a long and happy marriage alongside an equally long and gratifying career. As we do, I had developed a set of fairly dependable mental algorithms for navigating whatever life threw at me, whether at home or at work. What was missing from my life? Nothing I could think of — until, that is, word of the new research into psychedelics began to find its way to me, making me wonder if perhaps I had failed to recognize the potential of these molecules as a tool for both understanding the mind and, potentially, changing it.
Here are the three data points that persuaded me this was the case.
In the spring of 2010, a front-page story appeared in the New York Times headlined “Hallucinogens Have Doctors Tuning In Again.” It reported that researchers had been giving large doses of psilocybin — the active compound in magic mushrooms — to terminal cancer patients as a way to help them deal with their “existential distress” at the approach of death.
These experiments, which were taking place simultaneously at Johns Hopkins, UCLA, and New York University, seemed not just improbable but crazy. Faced with a terminal diagnosis, the very last thing I would want to do is take a psychedelic drug — that is, surrender control of my mind and then in that psychologically vulnerable state stare straight into the abyss. But many of the volunteers reported that over the course of a single guided psychedelic “journey” they reconceived how they viewed their cancer and the prospect of dying. Several of them said they had lost their fear of death completely. The reasons offered for this transformation were intriguing but also somewhat elusive. “Individuals transcend their primary identification with their bodies and experience ego-free states,” one of the researchers was quoted as saying. They “return with a new perspective and profound acceptance.”
I filed that story away, until a year or two later, when Judith and I found ourselves at a dinner party at a big house in the Berkeley Hills, seated at a long table with a dozen or so people, when a woman at the far end of the table began talking about her acid trips. She looked to be about my age and, I learned, was a prominent psychologist. I was engrossed in a different conversation at the time, but as soon as the phonemes L-S-D drifted down to my end of the table, I couldn’t help but cup my ear (literally) and try to tune in.
At first, I assumed she was dredging up some well-polished anecdote from her college days. Not the case. It soon became clear that the acid trip in question had taken place only days or weeks before, and in fact was one of her first. The assembled eyebrows rose. She and her husband, a retired software engineer, had found the occasional use of LSD both intellectually stimulating and of value to their work. Specifically, the psychologist felt that LSD gave her insight into how young children perceive the world. Kids’ perceptions are not mediated by expectations and conventions in the been-there, done-that way that adult perception is; as adults, she explained, our minds don’t simply take in the world as it is so much as they make educated guesses about it. Relying on these guesses, which are based on past experience, saves the mind time and energy, as when, say, it’s trying to figure out what that fractal pattern of green dots in its visual field might be. (The leaves on a tree, probably.) LSD appears to disable such conventionalized, shorthand modes of perception and, by doing so, restores a childlike immediacy, and sense of wonder, to our experience of reality, as if we were seeing everything for the first time. ( Leaves!)
I piped up to ask if she had any plans to write about these ideas, which riveted everyone at the table. She laughed and gave me a look that I took to say, How naive can you be? LSD is a schedule 1 substance, meaning the government regards it as a drug of abuse with no accepted medical use. Surely it would be foolhardy for someone in her position to suggest, in print, that psychedelics might have anything to contribute to philosophy or psychology — that they might actually be a valuable tool for exploring the mysteries of human consciousness. Serious research into psychedelics had been more or less purged from the university fifty years ago, soon after Timothy Leary’s Harvard Psilocybin Project crashed and burned in 1963. Not even Berkeley, it seemed, was ready to go there again, at least not yet.
Third data point: The dinner table conversation jogged a vague memory that a few years before somebody had e-mailed me a scientific paper about psilocybin research. Busy with other things at the time, I hadn’t even opened it, but a quick search of the term “psilocybin” instantly fished the paper out of the virtual pile of discarded e-mail on my computer. The paper had been sent to me by one of its co-authors, a man I didn’t know by the name of Bob Jesse; perhaps he had read something I’d written about psychoactive plants and thought I might be interested. The article, which was written by the same team at Hopkins that was giving psilocybin to cancer patients, had just been published in the journal Psychopharmacology. For a peer-reviewed scientific paper, it had a most unusual title: “Psilocybin Can Occasion Mystical-Type Experiences Having Substantial and Sustained Personal Meaning and Spiritual Significance.”
Never mind the word “psilocybin”; it was the words “mystical” and “spiritual” and “meaning” that leaped out from the pages of a pharmacology journal. The title hinted at an intriguing frontier of research, one that seemed to straddle two worlds we’ve grown accustomed to think are irreconcilable: science and spirituality.
Now I fell on the Hopkins paper, fascinated. Thirty volunteers who had never before used psychedelics had been given a pill containing either a synthetic version of psilocybin or an “active placebo” — methylphenidate, or Ritalin — to fool them into thinking they had received the psychedelic. They then lay down on a couch wearing eyeshades and listening to music through headphones, attended the whole time by two therapists. (The eyeshades and headphones encourage a more inward-focused journey.) After about thirty minutes, extraordinary things began to happen in the minds of the people who had gotten the psilocybin pill.
The study demonstrated that a high dose of psilocybin could be used to safely and reliably “occasion” a mystical experience — typically described as the dissolution of one’s ego followed by a sense of merging with nature or the universe. This might not come as news to people who take psychedelic drugs or to the researchers who first studied them back in the 1950s and 1960s. But it wasn’t at all obvious to modern science, or to me, in 2006, when the paper was published.
What was most remarkable about the results reported in the article is that participants ranked their psilocybin experience as one of the most meaningful in their lives, comparable “to the birth of a first child or death of a parent.” Two-thirds of the participants rated the session among the top five “most spiritually significant experiences” of their lives; one-third ranked it the most significant such experience in their lives. Fourteen months later, these ratings had slipped only slightly. The volunteers reported significant improvements in their “personal well-being, life satisfaction and positive behavior change,” changes that were confirmed by their family members and friends.
Though no one knew it at the time, the renaissance of psychedelic research now under way began in earnest with the publication of that paper. It led directly to a series of trials — at Hopkins and several other universities — using psilocybin to treat a variety of indications, including anxiety and depression in cancer patients, addiction to nicotine and alcohol, obsessive-compulsive disorder, depression, and eating disorders. What is striking about this whole line of clinical research is the premise that it is not the pharmacological effect of the drug itself but the kind of mental experience it occasions — involving the temporary dissolution of one’s ego — that may be the key to changing one’s mind.
As someone not at all sure he has ever had a single “spiritually significant” experience, much less enough of them to make a ranking, I found that the 2006 paper piqued my curiosity but also my skepticism. Many of the volunteers described being given access to an alternative reality, a “beyond” where the usual physical laws don’t apply and various manifestations of cosmic consciousness or divinity present themselves as unmistakably real.
All this I found both a little hard to take (couldn’t this be just a drug-induced hallucination?) and yet at the same time intriguing; part of me wanted it to be true, whatever exactly “it” was. This surprised me, because I have never thought of myself as a particularly spiritual, much less mystical, person. This is partly a function of worldview, I suppose, and partly of neglect: I’ve never devoted much time to exploring spiritual paths and did not have a religious upbringing. My default perspective is that of the philosophical materialist, who believes that matter is the fundamental substance of the world and the physical laws it obeys should be able to explain everything that happens. I start from the assumption that nature is all that there is and gravitate toward scientific explanations of phenomena. That said, I’m also sensitive to the limitations of the scientific-materialist perspective and believe that nature (including the human mind) still holds deep mysteries toward which science can sometimes seem arrogant and unjustifiably dismissive.
Was it possible that a single psychedelic experience — something that turned on nothing more than the ingestion of a pill or square of blotter paper — could put a big dent in such a worldview? Shift how one thought about mortality? Actually change one’s mind in enduring ways?
The idea took hold of me. It was a little like being shown a door in a familiar room — the room of your own mind — that you had somehow never noticed before and being told by people you trusted (scientists!) that a whole other way of thinking — of being! — lay waiting on the other side. All you had to do was turn the knob and enter. Who wouldn’t be curious? I might not have been looking to change my life, but the idea of learning something new about it, and of shining a fresh light on this old world, began to occupy my thoughts. Maybe there was something missing from my life, something I just hadn’t named.
For our species, I learned, plants and fungi with the power to radically alter consciousness have long and widely been used as tools for healing the mind, for facilitating rites of passage, and for serving as a medium for communicating with supernatural realms, or spirit worlds. These uses were ancient and venerable in a great many cultures, but I ventured one other application: to enrich the collective imagination — the culture — with the novel ideas and visions that a select few people bring back from wherever it is they go.
Michael Pollan will be speaking about the fascinating research into psychedelics behind How to Change Your Mind at the upcoming Bioneers conference in October 2018. Get your tickets today.
Now that I had developed an intellectual appreciation for the potential value of these psychoactive substances, you might think I would have been more eager to try them. I’m not sure what I was waiting for: courage, maybe, or the right opportunity, which a busy life lived mainly on the right side of the law never quite seemed to afford. But when I began to weigh the potential benefits I was hearing about against the risks, I was surprised to learn that psychedelics are far more frightening to people than they are dangerous. Many of the most notorious perils are either exaggerated or mythical. It is virtually impossible to die from an overdose of LSD or psilocybin, for example, and neither drug is addictive. After trying them once, animals will not seek a second dose, and repeated use by people robs the drugs of their effect. It is true that the terrifying experiences some people have on psychedelics can risk flipping those at risk into psychosis, so no one with a family history or predisposition to mental illness should ever take them. But emergency room admissions involving psychedelics are exceedingly rare, and many of the cases doctors diagnose as psychotic breaks turn out to be merely short-lived panic attacks.
It is also the case that people on psychedelics are liable to do stupid and dangerous things: walk out into traffic, fall from high places, and, on rare occasions, kill themselves. “Bad trips” are very real and can be one of “the most challenging experiences of [a] lifetime,” according to a large survey of psychedelic users asked about their experiences. But it’s important to distinguish what can happen when these drugs are used in uncontrolled situations, without attention to set and setting, from what happens under clinical conditions, after careful screening and under supervision. Since the revival of sanctioned psychedelic research beginning in the 1990s, nearly a thousand volunteers have been dosed, and not a single serious adverse event has been reported.
It was at this point that the idea of “shaking the snow globe,” as one neuroscientist described the psychedelic experience, came to seem more attractive to me than frightening, though it was still that too.
After more than half a century of its more or less constant companionship, one’s self — this ever-present voice in the head, this ceaselessly commenting, interpreting, labeling, defending I — becomes perhaps a little too familiar. I’m not talking about anything as deep as self-knowledge here. No, just about how, over time, we tend to optimize and conventionalize our responses to whatever life brings. Each of us develops our shorthand ways of slotting and processing everyday experiences and solving problems, and while this is no doubt adaptive — it helps us get the job done with a minimum of fuss — eventually it becomes rote. It dulls us. The muscles of attention atrophy.
Habits are undeniably useful tools, relieving us of the need to run a complex mental operation every time we’re confronted with a new task or situation. Yet they also relieve us of the need to stay awake to the world: to attend, feel, think, and then act in a deliberate manner. (That is, from freedom rather than compulsion.) If you need to be reminded how completely mental habit blinds us to experience, just take a trip to an unfamiliar country. Suddenly you wake up! And the algorithms of everyday life all but start over, as if from scratch. This is why the various travel metaphors for the psychedelic experience are so apt.
The efficiencies of the adult mind, useful as they are, blind us to the present moment. We’re constantly jumping ahead to the next thing. We approach experience much as an artificial intelligence (AI) program does, with our brains continually translating the data of the present into the terms of the past, reaching back in time for the relevant experience, and then using that to make its best guess as to how to predict and navigate the future.
One of the things that commends travel, art, nature, work, and certain drugs to us is the way these experiences, at their best, block every mental path forward and back, immersing us in the flow of a present that is literally wonderful — wonder being the by-product of precisely the kind of unencumbered first sight, or virginal noticing, to which the adult brain has closed itself. (It’s so inefficient!) Alas, most of the time I inhabit a near-future tense, my psychic thermostat set to a low simmer of anticipation and, too often, worry. The good thing is I’m seldom surprised. The bad thing is I’m seldom surprised.
What I am struggling to describe here is what I think of as my default mode of consciousness. It works well enough, certainly gets the job done, but what if it isn’t the only, or necessarily the best, way to go through life? The premise of psychedelic research is that this special group of molecules can give us access to other modes of consciousness that might offer us specific benefits, whether therapeutic, spiritual, or creative. Psychedelics are certainly not the only door to these other forms of consciousness — and I explore some non-pharmacological alternatives in these pages — but they do seem to be one of the easier knobs to take hold of and turn.
The whole idea of expanding our repertoire of conscious states is not an entirely new idea: Hinduism and Buddhism are steeped in it, and there are intriguing precedents even in Western science. William James, the pioneering American psychologist and author of The Varieties of Religious Experience, ventured into these realms more than a century ago. He returned with the conviction that our everyday waking consciousness “is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different.”
James is speaking, I realized, of the unopened door in our minds. For him, the “touch” that could throw open the door and disclose these realms on the other side was nitrous oxide. (Mescaline, the psychedelic compound derived from the peyote cactus, was available to researchers at the time, but James was apparently too fearful to try it.)
“No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded.
“At any rate,” James concluded, these other states, the existence of which he believed was as real as the ink on this page, “forbid a premature closing of our accounts with reality.”
The first time I read that sentence, I realized James had my number: as a staunch materialist, and as an adult of a certain age, I had pretty much closed my accounts with reality. Perhaps this had been premature.
Well, here was an invitation to reopen them.
If everyday waking consciousness is but one of several possible ways to construct a world, then perhaps there is value in cultivating a greater amount of what I’ve come to think of as neural diversity. With that in mind, How to Change Your Mind approaches its subject from several different perspectives, employing several different narrative modes: social and scientific history; natural history; memoir; science journalism; and case studies of volunteers and patients. In the middle of the journey, I also offer an account of my own firsthand research (or perhaps I should say search) in the form of a kind of mental travelogue.
In telling the story of psychedelic research, past and present, I do not attempt to be comprehensive. The subject of psychedelics, as a matter of both science and social history, is too vast to squeeze between the covers of a single book. Rather than try to introduce readers to the entire cast of characters responsible for the psychedelic renaissance, my narrative follows a small number of pioneers who constitute a particular scientific lineage, with the inevitable result that the contributions of many others have received short shrift. Also in the interest of narrative coherence, I’ve focused on certain drugs to the exclusion of others. There is, for example, little here about MDMA (also known as Ecstasy), which is showing great promise in the treatment of post-traumatic stress disorder. Some researchers count MDMA among the psychedelics, but most do not, and I follow their lead. MDMA operates through a different set of pathways in the brain and has a substantially different social history from that of the so-called classical psychedelics. Of these, I focus primarily on the ones that are receiving the most attention from scientists — psilocybin and LSD — which means that other psychedelics that are equally interesting and powerful but more difficult to bring into the laboratory — such as ayahuasca — receive less attention.
A final word on nomenclature. The class of molecules to which psilocybin and LSD (and mescaline, DMT, and a handful of others) belong has been called by many names in the decades since they have come to our attention. Initially, they were called hallucinogens. But they do so many other things (and in fact full-blown hallucinations are fairly uncommon) that researchers soon went looking for more precise and comprehensive terms, a quest chronicled in chapter three. The term “psychedelics,” which I will mainly use here, does have its downside. Embraced in the 1960s, the term carries a lot of countercultural baggage. Hoping to escape those associations and underscore the spiritual dimensions of these drugs, some researchers have proposed they instead be called “entheogens” — from the Greek for “the divine within.” This strikes me as too emphatic. Despite the 1960s trappings, the term “psychedelic,” coined in 1956, is etymologically accurate. Drawn from the Greek, it means simply “mind manifesting,” which is precisely what these extraordinary molecules hold the power to do.
This excerpt has been reprinted with permission from How to Change Your Mind by Michael Pollan, published by Penguin Press, 2018.
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How to Change Your Mind: Michael Pollan on How the Science of Psychedelics Illuminates Consciousness, Mortality, Addiction, Depression, and Transcendence
“The Beyond, whatever it consists of, might not be nearly as far away or inaccessible as we think.”
By Maria Popova
“Attention is an intentional, unapologetic discriminator. It asks what is relevant right now, and gears us up to notice only that,” cognitive scientist Alexandra Horowitz wrote in her inquiry into how our conditioned way of looking narrows the lens of our perception. Attention, after all, is the handmaiden of consciousness, and consciousness the central fact and the central mystery of our creaturely experience. From the days of Plato’s cave to the birth of neuroscience, we have endeavored to fathom its nature. But it is a mystery that only seems to deepen with each increment of approach. “Our normal waking consciousness,” William James wrote in his landmark 1902 treatise on spirituality, “is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different… No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded.”
Half a century after James, two new molecules punctured the filmy screen to unlatch a portal to a wholly novel universe of consciousness, shaking up our most elemental assumptions about the nature of the mind, our orientation toward mortality, and the foundations of our social, political, and cultural constructs. One of these molecules — lysergic acid diethylamide, or LSD — was a triumph of twentieth-century science, somewhat accidentally synthesized by the Swiss chemist Albert Hofmann in the year physicist Lise Meitner discovered nuclear fission. The other — the compound psilocin, known among the Aztecs as “flesh of the gods” — was the rediscovery of a substance produced by a humble brown mushroom, which indigenous cultures across eras and civilizations had been incorporating into their spiritual rituals since ancient times, and which the Roman Catholic Church had violently suppressed and buried during the Spanish conquest of the Americas.
Together, these two molecules commenced the psychedelic revolution of the 1950s and 1960s, frothing the stream of consciousness — a term James coined — into a turbulent existential rapids. Their proselytes included artists, scientists, political leaders, and ordinary people of all stripes. Their most ardent champions were the psychiatrists and physicians who lauded them as miracle drugs for salving psychic maladies as wide-ranging as anxiety, addiction, and clinical depression. Their cultural consequence was likened to that of the era’s other cataclysmic disruptor: the atomic bomb.
And then — much thanks to Timothy Leary’s reckless handling of his Harvard psilocybin studies that landed him in prison, where Carl Sagan sent him cosmic poetry — a landslide of moral panic and political backlash outlawed psychedelics, shut down clinical studies of their medical and psychiatric uses, and drove them into the underground. For decades, academic research into their potential for human flourishing languished and nearly perished. But a small subset of scientists, psychiatrists, and amateur explorers refused to relinquish their curiosity about that potential.
The 1990s brought a quiet groundswell of second-wave interest in psychedelics — a resurgence that culminated with a 2006 paper reporting on studies at Johns Hopkins, which had found that psilocybin had occasioned “mystical-type experiences having substantial and sustained personal meaning and significance” for terminally ill cancer patients — experiences from which they “return with a new perspective and profound acceptance.” In other words, the humble mushroom compound had helped people face the ultimate frontier of existence — their own mortality — with unparalleled equanimity. The basis of the experience, researchers found, was a sense of the dissolution of the personal ego, followed by a sense of becoming one with the universe — a notion strikingly similar to Bertrand Russell’s insistence that a fulfilling life and a rewarding old age are a matter of “[making] your interests gradually wider and more impersonal, until bit by bit the walls of the ego recede, and your life becomes increasingly merged in the universal life.”
More clinical experiments followed at UCLA, NYU, and other leading universities, demonstrating that this psilocybin-induced dissolution of the ego, extremely difficult if not impossible to achieve in our ordinary consciousness, has profound benefits in rewiring the faulty mental mechanisms responsible for disorders like alcoholism, anxiety, and depression.
Art by Bobby Baker from Diary Drawings: Mental Illness and Me
This renaissance of psychedelics, with its broad implications for understanding consciousness and the connection between brain and mind, treating mental illness, and recalibrating our relationship with the finitude of our existence, is what Michael Pollan explores in the revelatory How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence (public library). With an eye to this renaissance and the scientists using brain-imaging technology to investigate how psychedelics may illuminate consciousness, Pollan writes:
One good way to understand a complex system is to disturb it and then see what happens. By smashing atoms, a particle accelerator forces them to yield their secrets. By administering psychedelics in carefully calibrated doses, neuroscientists can profoundly disturb the normal waking consciousness of volunteers, dissolving the structures of the self and occasioning what can be described as a mystical experience. While this is happening, imaging tools can observe the changes in the brain’s activity and patterns of connection. Already this work is yielding surprising insights into the “neural correlates” of the sense of self and spiritual experience.
Pollan reflects on the psilocybin studies of cancer patients, which reignited scientific interest in psychedelics, and the profound results of subsequent studies exploring the use of psychedelics in treating mental illness, including addiction, depression, obsessive-compulsive disorder:
What was most remarkable about the results… is that participants ranked their psilocybin experience as one of the most meaningful in their lives, comparable “to the birth of a first child or death of a parent.” Two-thirds of the participants rated the session among the top five “most spiritually significant experiences” of their lives; one-third ranked it the most significant such experience in their lives. Fourteen months later, these ratings had slipped only slightly. The volunteers reported significant improvements in their “personal well-being, life satisfaction and positive behavior change,” changes that were confirmed by their family members and friends.
What is striking about this whole line of clinical research is the premise that it is not the pharmacological effect of the drug itself but the kind of mental experience it occasions — involving the temporary dissolution of one’s ego — that may be the key to changing one’s mind.
Pollan approaches his subject as a science writer and a skeptic endowed with equal parts rigorous critical thinking and openminded curiosity. In a sentiment evocative of physicist Alan Lightman’s elegant braiding of the numinous and the scientific, he echoes Carl Sagan’s views on the mystery of reality and examines his own lens:
My default perspective is that of the philosophical materialist, who believes that matter is the fundamental substance of the world and the physical laws it obeys should be able to explain everything that happens. I start from the assumption that nature is all that there is and gravitate toward scientific explanations of phenomena. That said, I’m also sensitive to the limitations of the scientific-materialist perspective and believe that nature (including the human mind) still holds deep mysteries toward which science can sometimes seem arrogant and unjustifiably dismissive.
Was it possible that a single psychedelic experience — something that turned on nothing more than the ingestion of a pill or square of blotter paper — could put a big dent in such a worldview? Shift how one thought about mortality? Actually change one’s mind in enduring ways?
The idea took hold of me. It was a little like being shown a door in a familiar room — the room of your own mind — that you had somehow never noticed before and being told by people you trusted (scientists!) that a whole other way of thinking — of being! — lay waiting on the other side. All you had to do was turn the knob and enter. Who wouldn’t be curious? I might not have been looking to change my life, but the idea of learning something new about it, and of shining a fresh light on this old world, began to occupy my thoughts. Maybe there was something missing from my life, something I just hadn’t named.
The root of this unnamed dimension of existence, Pollan suggests, is the inevitable narrowing of perspective that takes place as we grow up and learn to navigate the world by cataloguing its elements into mental categories that often fail to hold the complexity and richness of the experiences they name — an impulse born out of our longing for absolutes in a relative world. Psychedelics break down these artificial categories and swing open the doors of perception — to borrow William Blake’s famous phrase later famously appropriated by Aldous Huxley as the slogan of the first-wave psychedelic revolution — so that life can enter our consciousness in its unfiltered, unfragmented completeness. In consequence, we view the world — the inner world and the outer world — with a child’s eyes.
Over time, we tend to optimize and conventionalize our responses to whatever life brings. Each of us develops our shorthand ways of slotting and processing everyday experiences and solving problems, and while this is no doubt adaptive — it helps us get the job done with a minimum of fuss — eventually it becomes rote. It dulls us. The muscles of attention atrophy.
A century after William James examined how habit gives shape and structure to our lives, Pollan considers the other edge of the sword — how habit can constrict us in a prison of excessive structure, blinding us to the full view of reality:
Habits are undeniably useful tools, relieving us of the need to run a complex mental operation every time we’re confronted with a new task or situation. Yet they also relieve us of the need to stay awake to the world: to attend, feel, think, and then act in a deliberate manner. (That is, from freedom rather than compulsion.)
The efficiencies of the adult mind, useful as they are, blind us to the present moment. We’re constantly jumping ahead to the next thing. We approach experience much as an artificial intelligence (AI) program does, with our brains continually translating the data of the present into the terms of the past, reaching back in time for the relevant experience, and then using that to make its best guess as to how to predict and navigate the future.
One of the things that commends travel, art, nature, work, and certain drugs to us is the way these experiences, at their best, block every mental path forward and back, immersing us in the flow of a present that is literally wonderful — wonder being the by-product of precisely the kind of unencumbered first sight, or virginal noticing, to which the adult brain has closed itself. (It’s so inefficient!) Alas, most of the time I inhabit a near-future tense, my psychic thermostat set to a low simmer of anticipation and, too often, worry. The good thing is I’m seldom surprised. The bad thing is I’m seldom surprised.
Psychedelics, Pollan argues, eject us from our habitual consciousness to invite a pure experience of reality that calls to mind Jeanette Winterson’s notion of “active surrender” and Emerson’s exultation in “the power to swell the moment from the resources of our own heart until it supersedes sun & moon & solar system in its expanding immensity.” Pollan arrives at this conclusion not only by surveying the history of and research on psychedelics, but by conducting a series of carefully monitored experiments on himself — he travels the world to meet with mycologists, shamans, and trained facilitators, and to experience first-hand the most potent psychedelics nature and the chemistry lab have produced, from the psilocybin mushroom to LSD to the smoked venom of a desert toad.
Illustration by Lisbeth Zwerger for a special edition of the fairy tales of the Brothers Grimm
Together with his wife, Judith, he ingests a psilocybin mushroom he himself has picked from the woods of the Pacific Northwest with the mycologist Paul Stamets, author of the foundational guide to psilocybin mushrooms. Pollan reflects on the perplexity of the experience:
In a certain light at certain moments, I feel as though I had had some kind of spiritual experience. I had felt the personhood of other beings in a way I hadn’t before; whatever it is that keeps us from feeling our full implication in nature had been temporarily in abeyance. There had also been, I felt, an opening of the heart, toward my parents, yes, and toward Judith, but also, weirdly, toward some of the plants and trees and birds and even the damn bugs on our property. Some of this openness has persisted. I think back on it now as an experience of wonder and immanence.
The fact that this transformation of my familiar world into something I can only describe as numinous was occasioned by the eating of a little brown mushroom that Stamets and I had found growing on the edge of a parking lot in a state park on the Pacific coast — well, that fact can be viewed in one of two ways: either as an additional wonder or as support for a more prosaic and materialist interpretation of what happened to me that August afternoon. According to one interpretation, I had had “a drug experience,” plain and simple. It was a kind of waking dream, interesting and pleasurable but signifying nothing. The psilocin in that mushroom unlocked the 5-hydroxytryptamine 2-A receptors in my brain, causing them to fire wildly and set off a cascade of disordered mental events that, among other things, permitted some thoughts and feelings, presumably from my subconscious (and, perhaps, my reading too), to get cross-wired with my visual cortex as it was processing images of the trees and plants and insects in my field of vision.
Not quite a hallucination, “projection” is probably the psychological term for this phenomenon: when we mix our emotions with certain objects that then reflect those feelings back to us so that they appear to glisten with meaning. T. S. Eliot called these things and situations the “objective correlatives” of human emotion.
Pollan finds in the experience an affirmation of James’s notion that we possess different modes of consciousness separated from our standard waking consciousness by a thin and permeable membrane. The psychedelic puncturing of that membrane, he suggests, is what people across the ages have considered “mystical experiences.” But they are purely biochemical, devoid of the divine visitations ascribed to them:
I’m struck by the fact there was nothing supernatural about my heightened perceptions that afternoon, nothing that I needed an idea of magic or a divinity to explain. No, all it took was another perceptual slant on the same old reality, a lens or mode of consciousness that invented nothing but merely (merely!) italicized the prose of ordinary experience, disclosing the wonder that is always there in a garden or wood, hidden in plain sight… Nature does in fact teem with subjectivities — call them spirits if you like — other than our own; it is only the human ego, with its imagined monopoly on subjectivity, that keeps us from recognizing them all, our kith and kin.
Before this afternoon, I had always assumed access to a spiritual dimension hinged on one’s acceptance of the supernatural — of God, of a Beyond — but now I’m not so sure. The Beyond, whatever it consists of, might not be nearly as far away or inaccessible as we think.
After another psychedelic journey on the drug LSD, which left him with “a cascading dam break of love” for everyone from his wife to his grandmother to his awkward childhood music teacher, Pollan reflects on some of the things he had said during the experience, recorded by his guide, and the limitations of language in conveying the depth and dimension of the feelings stirred in him. A century after William James listed ineffability as the first of the four features of transcendent experiences, Pollan writes:
It embarrasses me to write these words; they sound so thin, so banal. This is a failure of my language, no doubt, but perhaps it is not only that. Psychedelic experiences are notoriously hard to render in words; to try is necessarily to do violence to what has been seen and felt, which is in some fundamental way pre- or post-linguistic or, as students of mysticism say, ineffable. Emotions arrive in all their newborn nakedness, unprotected from the harsh light of scrutiny and, especially, the pitiless glare of irony. Platitudes that wouldn’t seem out of place on a Hallmark card glow with the force of revealed truth.
Psychedelics, Pollan’s experience suggests, can be a potent antidote to our conditioned cynicism — that habitual narrowing and hardening of the soul, to which we resort as a maladaptive coping mechanism amid the chaos and uncertainty of life, a kind of defensive cowardice reminiscent of Teddy Roosevelt’s indictment that “the poorest way to face life is to face it with a sneer.” Half a century after psychedelics evangelist Aldous Huxley confronted our fear of the obvious with the assertion that “all great truths are obvious truths,” Pollan writes:
Psychedelics can make even the most cynical of us into fervent evangelists of the obvious… For what after all is the sense of banality, or the ironic perspective, if not two of the sturdier defenses the adult ego deploys to keep from being overwhelmed — by our emotions, certainly, but perhaps also by our senses, which are liable at any time to astonish us with news of the sheer wonder of the world. If we are ever to get through the day, we need to put most of what we perceive into boxes neatly labeled “Known,” to be quickly shelved with little thought to the marvels therein, and “Novel,” to which, understandably, we pay more attention, at least until it isn’t that anymore. A psychedelic is liable to take all the boxes off the shelf, open and remove even the most familiar items, turning them over and imaginatively scrubbing them until they shine once again with the light of first sight. Is this reclassification of the familiar a waste of time? If it is, then so is a lot of art. It seems to me there is great value in such renovation, the more so as we grow older and come to think we’ve seen and felt it all before.
Pollan’s reflections bear undertones of the concept of complementarity in quantum physics. But perhaps more than anything, in widening the lens of his attention to include all beings and the whole of the universe, his psychedelic experience calls to mind philosopher Simone Weil. After what she considered a point of contact with the divine — a mystical experience she had while reciting George Herbert’s poem Love III — Weil wrote that “attention, taken to its highest degree, is the same thing as prayer, [for] it presupposes faith and love.”
Art by Olivier Tallec from This Is a Poem That Heals Fish
In a passage that calls to mind Nathaniel Hawthorne’s stunning description of the transcendent state between wakefulness and sleep, Pollan writes:
Because the acid had not completely dissolved my ego, I never completely lost the ability to redirect the stream of my consciousness or the awareness it was in fact mine. But the stream itself felt distinctly different, less subject to will or outside interference. It reminded me of the pleasantly bizarre mental space that sometimes opens up at night in bed when we’re poised between the states of being awake and falling asleep—so-called hypnagogic consciousness. The ego seems to sign off a few moments before the rest of the mind does, leaving the field of consciousness unsupervised and vulnerable to gentle eruptions of imagery and hallucinatory snatches of narrative. Imagine that state extended indefinitely, yet with some ability to direct your attention to this or that, as if in an especially vivid and absorbing daydream. Unlike a daydream, however, you are fully present to the contents of whatever narrative is unfolding, completely inside it and beyond the reach of distraction. I had little choice but to obey the daydream’s logic, its ontological and epistemological rules, until, either by force of will or by the fresh notes of a new song, the mental channel would change and I would find myself somewhere else entirely.
Echoing Hannah Arendt’s distinction between thought and cognition, in which she asserted that “thought is related to feeling and transforms its mute and inarticulate despondency,” Pollan adds:
For me it felt less like a drug experience… than a novel mode of cognition, falling somewhere between intellection and feeling.
Temporarily freed from the tyranny of the ego, with its maddeningly reflexive reactions and its pinched conception of one’s self-interest, we get to experience an extreme version of Keats’s “negative capability” — the ability to exist amid doubts and mysteries without reflexively reaching for certainty. To cultivate this mode of consciousness, with its exceptional degree of selflessness (literally!), requires us to transcend our subjectivity or — it comes to the same thing — widen its circle so far that it takes in, besides ourselves, other people and, beyond that, all of nature. Now I understood how a psychedelic could help us to make precisely that move, from the first-person singular to the plural and beyond. Under its influence, a sense of our interconnectedness — that platitude — is felt, becomes flesh. Though this perspective is not something a chemical can sustain for more than a few hours, those hours can give us an opportunity to see how it might go. And perhaps to practice being there.
Looking back on his theoretical and empirical investigation — his research on the ancient history and modern science of psychedelics; his interviews with neuroscientists, psychologists, mycologists, hospice patients, and ordinary psychonauts; his own experience with a variety of these substances and his sometimes meticulous, sometimes messy field notes on the interiority of his mind under their influence — Pollan writes:
The journeys have shown me what the Buddhists try to tell us but I have never really understood: that there is much more to consciousness than the ego, as we would see if it would just shut up. And that its dissolution (or transcendence) is nothing to fear; in fact, it is a prerequisite for making any spiritual progress. But the ego, that inner neurotic who insists on running the mental show, is wily and doesn’t relinquish its power without a struggle. Deeming itself indispensable, it will battle against its diminishment, whether in advance or in the middle of the journey. I suspect that’s exactly what mine was up to all through the sleepless nights that preceded each of my trips, striving to convince me that I was risking everything, when really all I was putting at risk was its sovereignty… That stingy, vigilant security guard admits only the narrowest bandwidth of reality… It’s really good at performing all those activities that natural selection values: getting ahead, getting liked and loved, getting fed, getting laid. Keeping us on task, it is a ferocious editor of anything that might distract us from the work at hand, whether that means regulating our access to memories and strong emotions from within or news of the world without.
What of the world it does admit it tends to objectify, for the ego wants to reserve the gifts of subjectivity to itself. That’s why it fails to see that there is a whole world of souls and spirits out there, by which I simply mean subjectivities other than our own. It was only when the voice of my ego was quieted by psilocybin that I was able to sense that the plants in my garden had a spirit too.
It is a notion evocative of Ursula K. Le Guin’s conception of poetry as a means to “subjectifying the universe” — a counterpoint to the way science objectifies it. “Science describes accurately from outside, poetry describes accurately from inside. Science explicates, poetry implicates,” Le Guin wrote. Perhaps psychedelics, then, are a portal to the poetic truth that resides beyond scientific fact — the kind of transcendence Rachel Carson found in beholding the marvels of bioluminescence, “one of those experiences that gives an odd and hard-to-describe feeling, with so many overtones beyond the facts themselves.” Such a feeling radiates beyond the walls of the ego-bound self and into a deep sense of belonging to the whole of nature, part and particle of the universe.
The usual antonym for the word “spiritual” is “material.” That at least is what I believed when I began this inquiry — that the whole issue with spirituality turned on a question of metaphysics. Now I’m inclined to think a much better and certainly more useful antonym for “spiritual” might be “egotistical.” Self and Spirit define the opposite ends of a spectrum, but that spectrum needn’t reach clear to the heavens to have meaning for us. It can stay right here on earth. When the ego dissolves, so does a bounded conception not only of our self but of our self-interest. What emerges in its place is invariably a broader, more openhearted and altruistic — that is, more spiritual — idea of what matters in life. One in which a new sense of connection, or love, however defined, seems to figure prominently.
One of the gifts of psychedelics is the way they reanimate the world, as if they were distributing the blessings of consciousness more widely and evenly over the landscape, in the process breaking the human monopoly on subjectivity that we moderns take as a given. To us, we are the world’s only conscious subjects, with the rest of creation made up of objects; to the more egotistical among us, even other people count as objects. Psychedelic consciousness overturns that view, by granting us a wider, more generous lens through which we can glimpse the subject-hood — the spirit! — of everything, animal, vegetable, even mineral, all of it now somehow returning our gaze. Spirits, it seems, are everywhere. New rays of relation appear between us and all the world’s Others.
In the remainder of the immensely fascinating How to Change Your Mind, Pollan goes on to explore the neuroscience of what actually happens in the brain during a psychedelic experience, how such a temporary rewiring of the cognitive apparatus can translate into enduring psychological change and precipitate profound personal growth, and why this breaking down of “the usually firm handshake between brain and world” may be particularly palliative to those perched on the precipice of mortality. Complement it with Albert Camus on consciousness and the lacuna between truth and meaning, then revisit William James’s trailblazing treatise on the limits of materialism.
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Источники информации:
- http://www.nytimes.com/2018/06/04/books/review/michael-pollan-how-to-change-your-mind.html
- http://efrem.net/michael-pollan/39246-how_to_change_your_mind.html
- http://medium.com/bioneers/michael-pollan-how-to-change-your-mind-57c9cf557187
- http://www.themarginalian.org/2018/07/11/how-to-change-your-mind-michael-pollan/