Mitty made in abyss
Mitty made in abyss
Mitty/Relationships
Contents
Belaf
Belaf offered up most of his body in order to create a perfect copy of Mitty, which even contains her soul, in Ilblu. After doing so he mainly used her as source of food, due to her ability, but stopped doing so after Nanachi offered themself to Belaf in exchange for the copy of Mitty. [1]
Bondrewd
When Mitty first met Bondrewd, she looked up to him and wanted to become a White Whistle Delver herself. [2] When Bondrewd revealed to her and Nanachi that he was going to use them as test subjects she was shocked. [3] After becoming a cursed Narehate, Bondrewd continued testing the limits to Mitty’s acquired immortality until Nanachi escaped with her. [4]
Nanachi
Mitty was the only one of the other children to approach Nanachi. Mitty was impressed with Nanachi’s artistic skills and knowledge and asked to pair up. Nanachi was reluctant at first, but Mitty insisted and her gentle enthusiasm quickly won Nanachi over. The two grew to have a very close and intimate friendship and were practically inseparable. [5]
During Bondrewd’s experiment, just before the two ascended from the 6 th layer, Mitty’s last words were a tearful proclamation that she wished for her soul to accompany Nanachi if she did not survive. [6] Mitty did survive, but was left in a permanently unrecognizable state — transformed forever into a Narehate, and cursed with immortality. After seeing Bondrewd’s relentless torture of Mitty’s new Narehate form, Nanachi escaped Ido Front with Mitty and vowed to free Mitty’s soul from her current physical state. [7]
Their Hideout in the 4 th layer was filled with all sorts of books, homemade plushies, and pillows and blankets, all with the goal of enriching Mitty’s life. Nanachi treated her as if she was still a self-aware being, and would talk and read books to her. Despite their peaceful living, Nanachi felt that Mitty was their only reason to be alive, and had planned to take their own life after her death was accomplished. [8] Nanachi felt very strongly about this mindset, going so far as to call Reg cruel when he made them promise not to. [9]
When the day came to free Mitty from her suffering, Nanachi set up a large nest full of pillows and other items they had made for Mitty, so that she could be in comfort even as she was being released. Nanachi said their goodbyes, telling Mitty they would meet again. Only a minute later they recanted this, saying instead they would always be together. When the deed was done, Nanachi fell to their knees and cried intensely. [10]
After the barrier in the Village of Ilblu broke, Nanachi chose to set the reincarnated Mitty free with their own hands. As Nanachi got closer to the barrier, they reminisced about all the new things they learned and with, teary eyes, told Mitty they will definitely meet again. After that, Mitty faded away completely. [11]
Nanachi copes with their loss by telling themself that they will one day meet Mitty again, though they stated that they don’t really believe this will happen. Even so, Nanachi holds onto hope with belief that everything returns to the Abyss, and has even been preparing for their fated meeting by learning how to cook good food. [12]
Mitty
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Mitty
Japanese
Rōmaji
Profile
Gender
Species
Status
Occupation
General Information
Manga Debut
Anime Debut
Seiyuu
Eng.Voice
In Ilblu, it is revealed that Belaf paid compensation to have an exact replica of Mitty born into the village from the time a «masked man» brought her along to the village. This reproduction even has an exact copy of Mitty’s soul from that moment in time. [2]
Contents
Appearance
As a human, Mitty was an upbeat and positive young girl. She was almost always smiling and aspired to be «a future White Whistle». [3] Her hair was reddish in color, long, and messy, sticking out at random angles. Some of it seemed to be tied up into a messy ponytail on the back of her head. She wore a tied top and skirt. She also appeared to be slightly more buxom than the children her age. [4]
After bearing the Curse of the 6 th layer, Mitty’s body became something of an amorphous blob. She became covered in light pinkish fur. On the ends of what is left of her arms were long, sharp claws. She has two cat-like ears protruding at odds angles from her head. Her mouth split upwards and is left hanging open at all times. Both her eyes bulged outwards, until one of them was hit with Bondrewd’s Relic, Sparagmos, and failed to regenerate. [5]
The replica of Mitty in Ilblu is far less crooked due to being created before Bondrewd experimented on Mitty’s Narehate form. [6] As such, she still possesses two eyes and her mouth is far more shapely without her lower jaw gaping outwards. [7]
Personality
As a human, Mitty wanted to become a White Whistle Delver. She was very upbeat and positive, pondering forever about the world around her and always tried to look on the bright side of things, even if Nanachi was often negative. She was very outgoing, as she was the one who first approached Nanachi and insisted on being friends and partners. [8]
After becoming a Narehate, her intelligence vanished and she could no longer communicate with Nanachi. All she could do was to make soft noises and crawl around a bit. When hurt, she cried reflexively, but likely didn’t feel any physical sensation nor emotion; as Nanachi said, Mitty’s soul was «trapped inside» her Narehate form. [9]
History
Dreadful Experimentation Flashback Arc
As a human, Mitty was brought down to the 5 th layer by Bondrewd along with other children. During the descent, she met Nanachi and the two became close friends. [10]
This was unfortunately short-lived, as once they arrived at Ido Front, Bondrewd used them as test subjects for his experiment in warding the Curse. Nanachi and Mitty were put in an elevator that lowered them to the Miniature Garden of Dawn in the 6 th layer and then rapidly forced them to ascend. The capsules they were in transferred Nanachi’s end of the Curse onto Mitty, leaving Nanachi relatively unharmed. Mitty had remained positive until the Curse took effect, insisting she would survive, and even attempting to calm Nanachi down by repeating that it would be okay. Once the Curse began affecting her, her words became screams of pain and pleads for death. The experiment resulted in Mitty’s body deforming beyond recognition and her intelligence vanishing along with it. [11]
Bondrewd continued to experiment on her and found that she was virtually indestructible. Unable to bear Mitty’s suffering any longer, Nanachi took Mitty and fled to the 4 th layer. There, Nanachi constructed a hideout for them to live. During this time, Nanachi tried numerous times to put Mitty out of her misery, but nothing could finish her off. [12]
Poison and Soul Liberation Arc
Reg, first shocked by such an request, reluctantly agrees; after having given it some thought, but only if Nanachi promises they won’t take their own life afterwards out of sorrow. Nanachi agrees and they prepare a final resting spot for Mitty, surrounded with stuffed animals. Reg uses his Incinerator on her that she finally dies. Nanachi bursts out in tears and mourns the loss of their friend, while being comforted by Reg. [14]
Later on, Riko reveals, while she was unconscious and her mind was tortured by the poison, she felt the presence of another girl being even more unfortunate than she was and they comforted each other with just sensing each other’s presences. [15]
Just before Riko woke up she felt the presence of the other girl, being Mitty, moving on. [16]
Ilblu Arc
Despite her supposed death, a Mitty replica is now seen to reside in Ilblu, where it is said a «masked man» brought her along with him. Belaf smelled the original Mitty’s true immortality and craved it so much that he gave up large portions of his body for her to be «born/replicated» into Ilblu. Since then, Belaf has used her as his main source of food, saying that Mitty never runs out, no matter how much of her is eaten. This Mitty is a replica of the original Mitty down to the soul of that moment in time. [2]
Later on, Majikajya reveals to Nanachi, in a conversation about value, that one of The Three Sages of the village, Belaf, is in possession of the supposed-to-be-dead Mitty. Nanachi asks Majikajya to take them to the sage. [17]
Later on, Riko visits the sage since she has been informed to find Nanachi with him. Riko finds Nanachi and Mitty with Belaf and he tells her how he attained the Mitty replica. In a short flashback, it is shown how Nanachi is moved to tears, out of happiness to be reunited with Mitty, and how they are shocked moments later as they watch how Belaf extends his feelers to drink from Mitty. [18]
Belaf tells Riko that Nanachi offered themself up to him in exchange for ownership of Mitty, so that Belaf couldn’t drink from her anymore, and that he is willing to sell Nanachi back to Riko if she can give him something of similar value. [19]
After Nanachi wakes up, from the trembles of the ongoing battle between Faputa and the villagers, they tell Mitty of their dream. [20]
As Nanachi is about to take their leave with Mitty, Belaf points her in the direction where the barrier started to disappear. If Mitty should be brought beyond, she will cease to exist. This is because every being that was created in the village can only exist in it, and will stop existing if taken outside it. [21]
Nanachi is torn, due to the happiness they feel for having gotten a second chance to see Mitty, but decides their blessing wasn’t given to them by Mitty just to remain in a dream. This time, Nanachi chooses to set Mitty free with their own hands and starts making the way to the end of the barrier. Belaf as well, starts heading for the barrier. As Nanachi gets closer to the barrier, they reminisce about all the new things they learned and with, teary eyes, tells Mitty they will definitely meet again. After that, Mitty fades away completely. [22]
Abilities
Immortality
After becoming a Narehate, Mitty was resistant to every form of Bondrewd’s torture and experimentation. She had stakes driven through her and limbs chopped off, but she regenerated every time, with limbs growing back in place of those that were lost, and all poisons and venom neutralized. [23] [24] The only known limit to this ability was recounted by Nanachi, who saw Bondrewd using Sparagmos, an Artifact equal to Reg’s Incinerator, on Narehate Mitty. Mitty’s eye was hit by the light and could not regenerate anymore. [5] Nanachi tried everything they could to put her out of her misery during their time together. In the end, the only thing that was ultimately able to kill her was Reg’s Incinerator. [25]
Mitty
Mitty
Gender
Status
Affiliation
Manga Debut
Mitty was a «survivor» of the strains of ascent from the 6th Layer of the Abyss. During the ascent, she became a deformed Narehate (hollow). What makes her special is her inability to die, which Bondrewd comments is unlike anything he’s seen. Reg used his incinerator and killed her.
Contents
Appearance [ ]
Prior to becoming a Narehate, she was a young girl with long wild red hair, tan skin, and early developed breasts.
After becoming a Narehate, she a disfigured blob of flesh with cat ears, cat paws, and large red eyes, one of which she lost.
Personality [ ]
Before becoming a Narehate, she was energetic and kind.
After becoming a Narehate, she completely lost her sense of self. She still had basic reactions, such as coming when her name was called or crying when she felt pain.
History [ ]
Mitty was an orphan, one of many, taken by Bondrewd down to the 5th Layer to be used for experimenting with the 6th Layers curse. This is when she met and befriended Nanachi.
When it eventually came time for Mitty to be experimented on, she and Nanachi were put in a double cabin elevator that would take them down to the 6th Layer and, upon ascension, focus the curse entirely to one side, Mitty’s side.
Nanachi built a home for them and tried everything to help Mitty remember who she used to be, as well as every possible method to kill Mitty and put her out of her misery. Nanachi failed in both endeavors.
When Nanachi brought Riko and Reg to their home so as to treat Riko’s poisoning. Mitty took a liking to Riko, which Nanachi theorized was because Mitty was once a little girl herself, and cuddled up to her on a number of occasions while she was recovering.
After Nanachi witnessed Reg using his Incinerator, Nanachi convinced him to use it to kill Mitty. Mitty was placed on a comfortable mat and surrounded by stuffed toy. After tearful farewell, Reg killed her.
After Riko regained consciousness, she noted that she had a dream about a girl who was crying and suffering, but who then suddenly disappeared and knew peace.
Abilities [ ]
Invulnerability [ ]
After experiencing the cure of the 6th Layer at double strength, her deformed body became unkillable. She would regenerate from any injury, though become more deformed with each regeneration. She was also completely immune to poison.
The only known thing that could harm her without allowing her to regenerate was a weapon that completely incinerated her.
Mitty the Person, Mitty the Cursed: Made in Abyss and the paradoxical representation of disability
CONTENT WARNING: Contains descriptions of dehumanizing attitudes and violence towards disabled people; bloody imagery. SPOILERS for Episodes 11-13 of the Made in Abyss anime.
The mysterious “Great Pit of the Netherworld” in Made in Abyss is itself a curse, looming over the peaceful village of Orth. The legendary hero Lyza’s booming voice describes the titular Abyss as inescapable. Anyone who descends into the abyss is slowly transformed from human into a monstrous form. While sometimes this means becoming monstrous in spirit, physical transformations eventually become inevitable as well. This is best demonstrated through the characters of Mitty and Nanachi.
They are Narehate, or Hollow, a cursed existence resulting from exposure to the abyss. But while they are all created the same way, they are far from equal. Nanachi has a cute, humanoid bunny-like appearance, while their companion Mitty is blob-like. Nanachi can speak in human language, but Mitty communicates through shrieks and growls, placing her squarely in the realm of “monsters.” Though Nanachi can walk, Mitty crawls. Though both Nanachi and Mitty underwent the dramatic transformation from human to Hollow, they are constructed with perceived differences of ability. Ultimately, this leads to Mitty’s life being depicted as having far less value than Nanachi’s.
In this context, “cursed” effectively means “disabled.” Disability is, at least partially, a social phenomenon where one individual’s set of abilities is viewed as deficient. This includes non-normative verbal communication and an inability to perform functions such as walking, which is best exemplified by Mitty’s “incoherent” vocalizations and crawling.
However, because disability is partially social, perceptions of what disability is are part of what defines it. The Americans with Disabilities Act of 1990, for example, officially designates perceptions of disability as part of the definition of disability. Based on this definition, “alien” appearances, which are used to overtly code Nanachi and Mitty, fit under disability as well. As Nanachi explains, their monstrous appearance puts them in danger.
Clearly, Nanachi sees Mitty as being important beyond being a cursed Hollow. The Episode 12 opening contains a final image depicting main characters Riko and Reg holding hands in the background and Nanachi hugging Mitty in the foreground. Though the viewer is well aware of Riko and Reg’s place in the narrative, they are given inconsistent messages about Mitty’s importance as a character in her own right. She exists by Nanachi’s side but is also confined to Nanachi’s house, stripping her of agency. In those ways, she is Nanachi’s accessory. However, this image does, through its beautifully brilliant aesthetic, illustrate the affectionate love Nanachi feels for Mitty.
When the series first introduces Mitty, the viewer is given the impression that Mitty is beyond human comprehension. As Reg watches over a gravely wounded Riko in Nanachi’s home, he hears a cry emerge from a room in the back. Nanachi then introduces Mitty as “someone I live with” and calls her “my cute little Mitty,” reflecting great affection. Though this response is casual and simultaneously honest, the show’s direction cues the audience to be horrified, cutting quickly from shots of Mitty’s eyes and paws to her large mouth and scoring the scene with a tense piano.
The curse of becoming Hollow is repeatedly framed in-show as a loss of humanity and a fate worse than death. At this point in the series, there is meager evidence to indicate that Nanachi or Mitty have indeed lost their humanity; however, because of the context in which they exist, there’s a built-up environment of fear that prompts Nanachi to both value Mitty and also see her as a monster.
In the same way, the viewer is already primed to see anyone “cursed” as inhuman because of the antagonists Reg and Riko have faced and the rumors they’ve heard. However, Made in Abyss suggests that there is great freedom in living in the Abyss, even while being pressured to adopt vastly different ways of life. Nanachi and Mitty are the first indications that those different ways of life are not threats to the “normal” protagonists.
The condition of being Hollow illustrates a grave double-bind situation: you are either a target for capture or a monster to be killed. The viewer can now see why Nanachi lives hidden away, with Mitty even more hidden. In a sense, the two lead lives filled with apprehension, relying on each other for emotional support, which strongly suggests that Mitty plays an immutable role in Nanachi’s life. However, Nanachi worries that they cannot keep their friend for this emotional support if they are to uncover the mysteries of the Abyss.
In order to establish the conflict at the heart of Mitty’s presence in the show, the viewer must be told in no uncertain terms that Mitty is a conscious being. A strange but touching scene demonstrates Mitty’s humanity at the start of Episode 12: slowly, Mitty crawls on top of Riko, with great care to keep her claws pointed away. A near-top-down view, bathed in gentle green light, creates the image of Mitty hugging Riko.
This suggests that she’s trying to console Riko, without being able to communicate it. From there, the storyboard zooms in to Mitty’s face, revealing that Riko is reflected in her eye. Though not directly stated, this image heavily implies that Mitty is fully aware of Riko’s presence, rather than her being a “hollow” husk of humanity.
The series calls Mitty’s humanity back into question when Reg raises his arm and voice, insisting that Mitty get off Riko. Reg’s consistent surprise and fear shows us that Mitty is still seen as a monster. Nanachi later dispels this, though, saying that Mitty was not attacking but rather displaying a rare sign of fondness.
Through this series of scenes, Made in Abyss acknowledges that Mitty is seen as a monster but digs deeper into her behaviors as a character. Though Mitty is difficult to see as human because of her appearance, making her an imperfect image of disability, her act offers rare representation for those who act and look very differently from the norm.
The show makes use of striking visuals to assert that humanity exists far beyond verbal communication. Mitty’s cries to Riko, which sound like a normative child (as opposed to the sounds she makes in her Hollow form), awaken Riko’s awareness of Mitty. In an excellent sequence, Riko touches her green eye against Mitty’s red eye, physically establishing her presence and awareness in the world. Because she has been unconscious for episodes, Riko represents an unassuming entity who can peer directly into Mitty’s soul.
Confronted with this evidence, the viewer is almost forcefully convinced that Mitty is human, a thread that appears again and again in these scenes. This thread erases any doubt about Mitty’s ability to consciously interact with her environment and be aware of her surroundings. By forcing this inquiry, the show lays the grounds to investigate Mitty’s right to life. The Abyss is established as habitable only by fierce monsters or by those with full cognitive functions—but Mitty, as a harmless “monster,” is neither.
In the manga, Mitty appears in the third volume and exits just as quickly, with her demise treated as a shocking arc finale. Likewise, Riko is sick for a shorter amount of time and her interactions with Mitty are much more limited, depriving her of this opportunity.
It seems very likely that the anime staff intentionally included this scene so they could more deeply explore Mitty as a character in her own right. This expanded approach transforms Mitty’s demise in the finale from one demonstrating the horror of the Abyss to one highlighting Mitty’s humanity. Though she is still portrayed in an objectified manner, the show greatly elevates Mitty’s status by focusing more on her character.
This impression makes Made in Abyss a poignant example of how one might effectively portray disability, by highlighting the value of diverse ranges of ability, in a manner that can teach many other series. By extending the Mitty story, including the fleshed-out and gorgeous series finale, Director Kojima and his staff re-contextualize how Mitty exists within this Abyss. Unfortunately, in my time reading the manga, I was infuriated by how little attention Mitty received. Without Mitty’s vocalizations and the framing in the anime, she takes on a form much closer to an object.
However, by establishing Mitty as human and a monster, the series also avoids culpability for what happens to her. This duality traps Mitty in the role of an object that we feel emotional attachment to, telling the viewer to feel bad about her treatment but not outright protest it. Through a series of back-and-forths, Mitty is established as an object with anthropomorphic features, especially in the context of Reg’s wariness around her. The series attempts to justify killing Mitty because she is not fully alive—and thus excluded from the class of persons who can explore the Abyss.
The back and forth on Mitty’s personhood comes to a crushing climax in the anime’s finale, where she is killed as a cursed sacrifice for the Abyss. In this moment, the anime reaffirms Made in Abyss’s tendency to depict characters as ultimately doomed by the Abyss.
Two potential conclusions come from this scene: (1) that the death of Mitty is justified due to her dehumanized state and/or (2) the Abyss is such a cruel landscape that death is better than being cursed. Both conclusions, which are equally alarming, assert that society is expected to discard individuals who carry this curse (disabled people) rather than creating space for them.
Mitty is literally and metaphorically expunged from the space of adventurers and from the symbol for society that is the Abyss. This offers a devastating and inhumane suggestion that humanity can only inhabit a narrow range of abilities and forms.
Though perhaps not consistent with the series’ tone, a more empowering solution would entail presenting Mitty not as “tragic” or a “nuisance,” but as a member of the team. The anime implies the possibility that disability can be valuable, but never follows up on it. Given her earlier role as Riko’s caretaker, Mitty is established as a sentient creature who is both self-regenerating and capable of healing others (throughout, Riko nurses her weakened hand, which was only possible through Mitty’s restorative powers).
While “usefulness” is not necessary for people to exist, from a purely practical, narrative perspective, Mitty could have easily played an invaluable role in adventures. Made in Abyss never even considers this, despite the versatile range of abilities featured by many inhabitants of the Abyss.
By recognizing Mitty as someone with full personhood, Made in Abyss could have positioned the cursed beings—including its main characters—as valuable persons, demonstrating how disability-coded characters could occupy similar positions in narratives as the temporarily able-bodied characters. Though Made in Abyss undercut this recognition with its finale, the series nevertheless accidentally suggests a path forward for tackling concepts of disability in a more humanizing manner. Given anime’s slow but steady progress in disability representation, there is still great hope (and caution) for the medium.
Made In Abyss OST Pathway Goodbye My Friend メイドインアビス OST
02:58 3.90 MB 3.3M
Nanachi S And Mitty S Farewell Made In Abyss
02:34 3.38 MB 869.8K
Made In Abyss Mitty S Death But With The Right OST
04:31 5.94 MB 14K
Made In Abyss Reg Kills Mitty SAD MOMENT HD
03:26 4.52 MB 24.8K
Made In Abyss Mitty S Death
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03:31 4.63 MB 124K
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02:49 3.71 MB 285.6K
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47:21 62.32 MB 46.7K
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03:01 3.97 MB 1.2M
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11:18 14.87 MB 21.3K
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04:04 5.35 MB 323.2K
Tomorrow Made In Abyss
04:33 5.99 MB 336
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02:27 3.22 MB 28.6K
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02:15 2.96 MB 18.2K
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Made In Abyss OST Tomorrow メイドインアビス OST
04:34 6.01 MB 4.9K
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01:17 1.69 MB 5.8K
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38:41 50.91 MB 22.1K
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29 651.37 KB 118K
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Reg Meets Mitty Made In Abyss
30 673.83 KB 8.7K
Most Emotional OST Moonlit Night Death Parade デス パレード OST
04:39 6.12 MB 8.7M
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04:42 6.19 MB 24.4K
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09:17 12.22 MB 51.1K
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35 786.13 KB 277.7K
After The Fall Made In Abyss
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11:24 15.00 MB 3.6K
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01:40 2.19 MB 416
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01:40 2.19 MB 335
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01:48 2.37 MB 2.7K
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29:21 38.63 MB 541K
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01:15 1.65 MB 132
Mitty Is A Best Girl
33 741.21 KB 1.7K
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28 628.91 KB 27.6K
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05 112.30 KB 235
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