How to make uplifting trance 2019 with james dymond

How to make uplifting trance 2019 with james dymond

by James Dymond

Intermediate and Advanced

How To Make

Uplifting Trance 2019 with James Dymond

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Tutorial Description

In this tutorial we add a layer of three pad sounds and a gated pad using ANA 2.

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Back by popular demand trance legend James Dymond joins us for an all-new epic 7 hour tutorial in How To Make Uplifting Trance 2019.

Starting with a blank slate James meticulously builds an absolute monster of a track from scratch in FL Studio. As with all of his courses his focus is getting every single element sitting perfectly in the mix and sounding the best it possibly can.
Easy to follow and understand, the techniques, tips and tricks shown here are guaranteed to raise your game.
His methodical approach to perfecting a foundation loop before adding melodic elements, always layering to get that ‘blanket of sound’ before arranging and using automation to keep the track flowing by building up and breaking down seamlessly.

It’s just what a ton of you guys have been waiting for and yet again James does not disappoint!

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How To Make Uplifting Trance 2019 with James Dymond TUTORiAL-SYNTHiC4TE

SYNTHiC4TE | Dec 06 2019 | 5.1 GB

Back by popular demand trance legend James Dymond joins us for an all-new epic 7 hour tutorial in How To Make Uplifting Trance 2019.

Starting with a blank slate James meticulously builds an absolute monster of a track from scratch in FL Studio. As with all of his courses his focus is getting every single element sitting perfectly in the mix and sounding the best it possibly can.
Easy to follow and understand, the techniques, tips and tricks shown here are guaranteed to raise your game.
His methodical approach to perfecting a foundation loop before adding melodic elements, always layering to get that ‘blanket of sound’ before arranging and using automation to keep the track flowing by building up and breaking down seamlessly.

It’s just what a ton of you guys have been waiting for and yet again James does not disappoint!

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Комментарии • 15

So my question is: When you start changing the bass notes to go with the top melody do you need to re-eq for fundamental frequencies of each note played and automate which eq is being used?

That’s why I never do this. I instead boost the weakest bass note to be sonically on par with the others. You can achieve this with a compressor as well.

amazing video. and its free! thanks.

Link to the bass preset tutorial would be nice 👍

You know what I have noticed? The more you’re focusing on making those surgical things, engineering a track instead of jamming it, the shittier the tune feels. It might sound ok, but the feeling is off. Maybe, just maybe, it’s because you’ve spent 5 hours messing with that one eq and forgot to write a meaningful melody. Idk. Just a thought.

The music itself should always be more important than the techniques used; a lot of artists forget this.
Sound design and mixing are just parts of the larger picture that is music production.

Wow you have a good point. I’ve been working on an uplifting trance project for some time now and my intro is very emotional but I just can’t continue.

Peaks of kicks and sub must be same. WTF.

Yes! And posted video only about the case when I use only 1 musical note for key. If my track contains musical scales on bassline that method is bad

@Симон Сергеев That is totally a legit way of doing it. Personally though I try to make my kick/sub values serve the particulat track that I’m making. It depends for example on the key that I write the track in. Sometimes the sub just has to be less dominant than the kick, even though the genre doesn’t roll like that. (I don’t really worry about genres though. I care more about musicality, emotion and originality in my music. But that’s just me. Others might just want to make a banging track. And that’s great!) 😀

It depends a LOT on what you are doing and what type of kick and sub you are using. Generally the rule of thumb is that the sub should peak at around 3-6db lower than the kick. In the channel meters that is. (If you then look at the fundamental harmonics of those in Voxengo SPAN, they will be roughly at around the same level.) But like I said, it depends. In modern EDM, the sub’s fundamental often peaks way way above the kick, when viewed in SPAN.